I'm currently stuck on the part of my book where my main hero is currently going through training to be fighter pilot.
However, since I don't know exactly how long pilot training schools are, and I don't want to show much training (as it's kinda boring to read about, other than key training points where the hero will put that stuff to use), I'm not sure how I should write this chapter.
Can anyone give me suggestions or books of other authors who have done something similiar where the training is largely skipped (I thought about starting the book with the hero already in the war, and then having flashbacks, but that sounds kind of cliche, and too many important things happen prior to the war starting, and I feel it's better simply to start at that point).
I do have some training shown, as the hero does put it to use later in the book. For instance, they have to learn how to use tow cables in space to haul stuff around. The reasoning for this is, despite them being fighters, there won't always be salvagers in space with them, and who's going to pick the dead bodies and broken down spaceships in space when there's no one else around?
Currently this section is covered in two chapters, one starts with the hero finishing his "planetary training", and the second one that shows the outer space training (which I like more, because the hero gets to finally see all those massive spaceships that the good guys have floating and flying around his training area).
I've decided that his training should be rushed as well, just as another excuse to speed up the training part of the book, and have the hero get thrown into combat right away (and performing quite poorly as a result, since the bad guys have excellent pilots as well). This chapter will also make the hero seem more mortal, because in my current draft, he never really has anything "bad" happen to him personally (although he and allies are constantly in danger), and I feel that showing the hero fail will make readers sympathize with him more (not because he does something stupid, but simply because the enemy shot him down first. I too would rather point and laugh if he screws up because of something he did, rather than simply because the enemy was lucky).
However, since I don't know exactly how long pilot training schools are, and I don't want to show much training (as it's kinda boring to read about, other than key training points where the hero will put that stuff to use), I'm not sure how I should write this chapter.
Can anyone give me suggestions or books of other authors who have done something similiar where the training is largely skipped (I thought about starting the book with the hero already in the war, and then having flashbacks, but that sounds kind of cliche, and too many important things happen prior to the war starting, and I feel it's better simply to start at that point).
I do have some training shown, as the hero does put it to use later in the book. For instance, they have to learn how to use tow cables in space to haul stuff around. The reasoning for this is, despite them being fighters, there won't always be salvagers in space with them, and who's going to pick the dead bodies and broken down spaceships in space when there's no one else around?
Currently this section is covered in two chapters, one starts with the hero finishing his "planetary training", and the second one that shows the outer space training (which I like more, because the hero gets to finally see all those massive spaceships that the good guys have floating and flying around his training area).
I've decided that his training should be rushed as well, just as another excuse to speed up the training part of the book, and have the hero get thrown into combat right away (and performing quite poorly as a result, since the bad guys have excellent pilots as well). This chapter will also make the hero seem more mortal, because in my current draft, he never really has anything "bad" happen to him personally (although he and allies are constantly in danger), and I feel that showing the hero fail will make readers sympathize with him more (not because he does something stupid, but simply because the enemy shot him down first. I too would rather point and laugh if he screws up because of something he did, rather than simply because the enemy was lucky).