- Joined
- Mar 10, 2007
- Messages
- 46
- Reaction score
- 9
- Location
- Portland, Oregon
- Website
- thecityofroses.com
From Michael Denning’s Cover Stories: Narrative and Ideology in the British Spy Thriller, as noted by Andrew Seal:
In a provocative analysis of the ‘middlebrow’ novel of the 1930s, the ‘realist’ novel with an ambiguous relation to the ‘literary,’ the Birmingham Centre’s English Studies Group has argued that the reader of the middlebrow novel is characteristically ‘interpellated in the position of the author or narrative “point of view”.’ The ‘lowbrow’ or mass formulaic novel interpellates or situates its reader in a position of identification with one or more characters, and the ‘highbrow’ or modernist novel situates the reader in the position of literature itself. These various situations are tied, the English Studies Group argue, to the different educations of different classes and reading publics in the school system.