March Book Club Selections
OK, I'll go ahead and post descriptions of the other books, since MissKris got it started.
Your choices for March's book club discussion...
1)
The White Tiger: In this darkly comic début novel set in India, Balram, a chauffeur murders his employer, justifying his crime as the act of a "social entrepreneur." In a series of letters to the Premier of China, in anticipation of the leader’s upcoming visit to Balram’s homeland, the chauffeur recounts his transformation from an honest, hardworking boy growing up in "the Darkness"—those areas of rural India where education and electricity are equally scarce, and where villagers banter about local elections "like eunuchs discussing the Kama Sutra"—to a determined killer. He places the blame for his rage squarely on the avarice of the Indian élite, among whom bribes are commonplace, and who perpetuate a system in which many are sacrificed to the whims of a few. Adiga’s message isn’t subtle or novel, but Balram’s appealingly sardonic voice and acute observations of the social order are both winning and unsettling.
2)
The Cellist of Sarajevo: see directly above, MissKris' post
3)
Plainsong: In the small town of Holt, Tom Guthrie, a high school teacher, fights to keep his life together and to raise his two boys after their depressed mother first retreats into her bedroom, and then moves away to her sister's house. The boys, not yet adolescents, struggle to make sense of adult behavior and their mother's apparent abandonment. A pregnant teenage girl, kicked out by her mother and rejected by the father of her child, searches for a secure place in the world. And far out in the country, two elderly bachelor brothers work the family farm as they have their entire lives, all but isolated from life beyond their own community. From these separate strands emerges a vision of life--and of the community and landscape that bind them together--that is both luminous and enduring.
4)
The Brief Wondrous Life of Oscar Wao: Things have never been easy for Oscar, a sweet but disastrously overweight, lovesick Dominican ghetto nerd. From his home in New Jersey, where he lives with his old-world mother and rebellious sister, Oscar dreams of becoming the Dominican J. R. R. Tolkien and, most of all, of finding love. But he may never get what he wants, thanks to the Fukœ-the curse that has haunted the Oscar's family for generations, dooming them to prison, torture, tragic accidents, and, above all, ill-starred love. Oscar, still waiting for his first kiss, is just its most recent victim. Diaz immerses us in the tumultuous life of Oscar and the history of the family at large, rendering with genuine warmth and dazzling energy, humor, and insight the Dominican-American experience, and, ultimately, the endless human capacity to persevere in the face of heartbreak and loss.
5)
The Doorman: Cuban novelist Arenas's exquisitely wrought surreal fantasy is a sardonic Swiftian parable on human cruelty and the impulse to flee from freedom. Juan, a Cuban refugee and overzealous doorman at a Manhattan luxury building, wants to help each tenant open the "door to true happiness." But the tenants resist enlightenment. Among them are an oddball pastor who touches or caresses everyone he meets; the inventor of the neon clothespin and the totally prosthetic body; a miserly retired actress who walks a stuffed dog every evening; two nearly identical gay lovers; and a suicidal woman whose fiance Juan pretends to be. All of the tenants have pets--dogs, cats, a rattlesnake, an orangutang, parrots, turtles, a trained bear, etc.--which mirror their personal foibles. As the animals warily befriend Juan and air their views on the dangerous human species, his conversations with the menagerie get him committed to a mental hospital. A fabulist of elegant invention, Arenas, who died last December, delivers a ferocious indictment of the human race.
