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#51 |
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New Fish; Learning About Thick Skin
Join Date: Mar 2012
Posts: 22
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I love maps, but make sure they capture all the significant locations mentioned in the text. Tolkien maps are very good like this; but the maps that accompany the 'Game of Thrones' books seem to miss out loads of stuff.
On the subject of family trees - if you really need one to to understand the plot, you probably have too many characters. |
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#52 |
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Historicals and Horror rule
Join Date: Apr 2006
Location: Winter Haven, Florida
Posts: 7,439
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Yes for maps if the locale is a place few in our 50 states know about such places as Ilha de Santa Caterina in Brasil, where my novel A GATHERING OF VULTURES takes place.
Yes. definitely for classic historical fiction. Watch any game show, and you will see that the overwhelming percentage of contestants are geographically challenged even if they are brilliant in other areas of knowledge.
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![]() ![]() House of Rocamora, sequel to Rocamora and a novel of 17th century Amsterdam, now available in soft cover, Kindle, and assorted ebooks. "Chronology is not destiny" Donald Michael Platt "If, as Napoleon said, History is a myth agreed upon, let mine be the definitive myth." Donald Michael Platt www.donaldmichaelplatt.com http://www.youtube.com/watch?v=RXZthhY6OtI&feature=channel_page |
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#53 |
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Shameless attention-whore...
Join Date: Sep 2012
Location: Southern Ontario
Posts: 541
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Maps, yes, family tree, no...
Agreed.
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Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth. http://twitter.com/wilde_at_heart WIPs: The Human Resources Experiment, MR Thriller, 76K words - getting into query mode Destination Wedding, Comedic Romance, 70K words - final revisions The Fortune Teller, Supernatural Romance, 40K so far... |
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#54 | ||
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huh? You want the what with the who now?
Join Date: Jan 2011
Location: Massachusetts, USA
Posts: 6,358
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I enjoy both maps and family trees as illustrations, just like the cover art, chapter heading font, and other design aspects of the book as an object. To me, whether they're used for reference or not, their extra-textual presence can enhance the reader experience. As references, I tend to ignore family trees because I find them hard to follow. However, for complex epics, I do appreciate a handy score-card and player list. I will sometimes refer to a map during reading. Usually, I don't care where I am in the story world because I'm immersed in the immediate action of a scene, but if there is a lot of movement from place to place, I will sometimes refer to the map to keep straight how all the settings relate to each other. So I do find them useful as well as entertaining. But even with some setting confusion, if I couldn't comfortably follow the story without such references, I'd consider that poor writing.
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Hell is other people. -- Jean Paul Sartre Rule of thumb: Mura is not subtle. Come and see the violence inherent in the system! Help! Help! I'm being oppressed! The Grand Navigators, collaborative fantasy adventure party. Cafe Muravyets, hang out of lazy writers. Art: Portfolio and Studio Blog. |
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#55 |
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Resident Alien
Join Date: Dec 2010
Location: Brendansport, Sagitta IV
Posts: 2,704
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Not necessarily. Sometimes the family tree sets out, frex, why someone is (or isn't) in line to inherit. That can be the case even if you only have a bare handful of characters.
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Heavily armed, easily bored, and off the medication |
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#56 |
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Benefactor Member
Join Date: Feb 2011
Location: Right ... there. No, there. No, wait -
Posts: 700
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I never look at them. Ever.
![]() Once, having really enjoyed a book I read the cast of characters. |
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#57 | |
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Tastes like happy
Join Date: Aug 2012
Location: Upheaville
Posts: 159
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I love maps and character lists. Not sure I've read a book that needed a geneology, but I'm guilty of buying all kinds of supplemental material for fantasy series from Middle Earth, Narnia, Pern, and beyond. Joe Abercrombie refused to include a map for his First Law trilogy and it made me CRAZY. A quest fantasy with no MAP? MADNESS! (I love you, Joe. Lets never fight again. Also maps.) Don't like 'em? Totally cool. Just don't look.
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Books aren't written - they're rewritten. --Michael Crichton |
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#58 | |
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Attack of the Hurricane Turtles!
Join Date: Jul 2012
Location: USA
Posts: 56
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I also appreciate a map and list of soldiers & participants when reading non-fiction, military books. If there is no map, then the battles tend to start blending together for me. It may be very vivid in the soldiers minds but if I have no map, and no way to refer back to who is in command of a particular group, or what their specialty is, its like every battle happened in the same imagined location. Last edited by MagicWriter; 02-03-2013 at 09:08 PM. |
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#59 |
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practical experience, FTW
Join Date: Jan 2013
Location: Warren, OH
Posts: 191
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If a book takes place in a fantasy world, yes I love a good map, it makes the story seem a bit more tangable... although, I've discovered, more often than not, that maps made by third parties aren't all too accurate & it kinda gets a bit frustrating when you want to know where something is, only to find that it's not on the map, or your cast is apparently travelling in the complete opposite direction in the book to get there than they should have...
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WIPs- Spirits: The Hidden World (working title, urban fantasy) WC: 32000 Stage: Entering Act 2, first draft Coming Soon: A million & one other ideas I haven't really thought out very well yet. |
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#60 |
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Ambition! Camaraderie! Power!
Join Date: Jun 2012
Location: Londerp
Posts: 97
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I love maps too! And yeah, I agree with some of the others, I'd rather they weren't needed to understand the story because I don't like feeling thrown off.
Anyway it's fun to look at the layout of a country or city, and I tend to gawk at cool maps for a bit before I actually open a book (that awesome map from the Edge Chronicles comes to mind, as well as the map in Magyk). I've never come across a family tree, though. Knowing myself I'd rather skip it, unless it was done in some really cool/elaborate way.
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I am not a great prose stylist. I'm a storyteller. There are thousands of people who don't like what I do. Fortunately, there are millions who do. James Patterson |
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#61 |
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Tell it like it Is
Join Date: Aug 2007
Location: With my cats
Posts: 7,503
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I think it's awesome, especially in those general sagas!
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#62 |
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practical experience, FTW
Join Date: Aug 2010
Location: Western Australia
Posts: 1,009
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No! Definitely no!
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Sentosa |
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#63 |
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New Fish; Learning About Thick Skin
Join Date: Feb 2013
Posts: 1
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I think that maps can be very useful, especially in historical novels - cities change drastically over time and it's good to have a reference. Unless I'm reading Shakespeare or Wuthering Heights I find genealogies superfluous.
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#64 | |
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New Fish; Learning About Thick Skin
Join Date: Jan 2013
Posts: 15
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#65 |
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practical experience, FTW
Join Date: Feb 2005
Location: Olympia, WA
Posts: 390
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The ASOIAF books have both and I like that. Now, I'm not flipping back and forth, but it does help me to know where someone's at in relation to where they had been earlier or whatnot. I'm a fan of that.
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#66 |
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Benefactor Member
Join Date: May 2012
Location: Naples, FL
Posts: 966
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#67 |
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Average Joe
Join Date: Feb 2013
Location: South Dakota
Posts: 16
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Honestly to me it is cool to look at when you open the book for the first time but I never use it when reading. It is like a Lord of the Rings adding the elvish writing in it, yeah it is interesting but what are you going to do? Run in the woods and start writing noting but Elvish?
In short it depends on the person. There are people like me who read it much like someone watches a movie, you go through and experience the story and continue on. But there are people who devote a good deal of time not only into the story but fan fiction as well and almost all but living in the world. So if it is a multi-volume series, ala Lord of the Rings or something such as Star Wars, that all revolves in a single world you want to build it as realistic as possible and draw people not only into the story, but the world itself. So in that instance a map and other types of things would compliment it well if you want people to truly be drawn beyond the story and be sucked into the universe itself.
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#68 |
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Miss Conceived
Join Date: Dec 2012
Location: Lennox House
Posts: 4,168
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I love them both, especially when reading fantasy, or even historical fiction with unusual names and place names. I find that I don't track those as well as I do more familiar names.
If there are lineages involved (i.e. royal houses) ABSOLUTELY on the family tree. Especially when the same names appear but as the III, IV, etc. Plus, I just like the orderliness of it, and the aura of reality and completeness they give a book.
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The creative writing process is a lot like emotional binge and purge cycles. Can you find the Pitbull?
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#69 |
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all hail zombie babies!
Join Date: Sep 2011
Location: Rocky Mountains
Posts: 2,537
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I love love love supplemental material. IMHO, if people aren't interested, they'll pass. If they are, they'll spend hours looking at maps and family histories and trees and glossaries. In GRRM's work, I'll often go back and forth from map to family trees just to SEE a visual of where a country is located (refreshing my memory), or trying to imagine where exactly on the map it happened.
But, I'm also an RPG nerd who gets off on that sort of thing. I think it's something that people will give or take in a book. As long as it's not doing all the heavy-lifting in regard to world-building. The text/story should be doing that.
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stephantrain.com Curiosity killed the cat. Satisfaction brought it back "The first draft of anything is s***." Ernest Hemingway |
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#70 |
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not a psychopath I swear
Join Date: Sep 2010
Location: far away
Posts: 423
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I don't really look at either maps or family trees, because I don't find them helpful or interesting. But it's not like I'd refuse to pick up a book if they're in there. I'm a big fantasy reader, so if I refused to pick up books with maps, I'd have a lot of trouble finding things to read!
I do highly appreciate it when they're at the back, though, instead of blocking my way to the story in the front.
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