Sure it does. My argument is that there is a double standard: artists can attribute a performance to illegal drugs and its ok, but athletes can't.
That makes no sense?
Well, athletes
can attribute a performance to illegal drugs. It's just that the audience refuses to accept that performance as valid.
It partly goes back to my previous point--in a lot of forms of art, the final product is all the audience cares about, so they don't care how the artist produced it.
In sports, the performance is often seen as almost as important as the outcome. The team that loses might get a standing ovation for fighting so hard and making it such a great game to watch. The runners who didn't get a medal are still praised, with genuine respect, for their performances.
But I think the real problem is the audience hates finding out they've been manipulated--that they've invested emotion in what they thought was a spectacular triumph when it was really an engineered outcome.
If a singer belts out a virtuoso performance, then is revealed to have been lip-syncing, the audience feels outraged. If a dancer's spectacular leap is revealed to have been assisted by a hidden springboard, the audience who gasped to see it will now be disgruntled at having been fooled.
And the runner who breaks a world record in spectacular fashion, then turns out to have been doping when none of the other competitors were, leaves his or her fans feeling they've been victim of a con artist.
Painters or writers are judged by different criteria, because their process is not a spectator sport that causes an audience to get emotionally invested. The audience only gets emotionally invested in the final product, so there's less snobbery and judgment about how the art got made in the first place. It's seen as a private matter, where public performances are not.