Onto Graffiti Moon by Cath Crowley.
That's one of my favorite books of all time. Enjoy.
Onto Graffiti Moon by Cath Crowley.
Ooh can't wait to read it now!That's one of my favorite books of all time. Enjoy.
T'was an ARC on NetgalleyHow are all of you people getting that book, lol? I realize it's probably ARCs, but so many people have read it already
Finished THIRTEEN REASONS WHY this weekend. It was a slow start, but I enjoyed it. It was a creative premise (box of audiotapes that surfaced after a suicide). It very much felt like a book that an adult would want a younger person to read, which in some ways turned me off. It was well done though. Cheers to Jay Asher.
Just started SPEAK by Laurie Halse Anderson last night in bed. I'm probably 25 pages in, and it's obvious why there are so many awards listed on the back. Wow.
How are all of you people getting that book, lol? I realize it's probably ARCs, but so many people have read it already
On the other hand, I have no emotional reaction to any of the characters, and I think gimmicky writing (like "I see 2 eyes 2 ears 1 nose I'm bored tired sad" and crossed-out words) is better suited for a short story, in a long novel it gets tiresome.
I just started Legend by Marie Lu. I only had enough time to read the first two chapters yesterday so I'm hoping it will get better. Nothing has really popped out to me as being very original or enticing.
About to start Also Known As Rowan Pohi by Ralph Fletcher.
I started reading $HATTER ME. [...] I think gimmicky writing (like "I see 2 eyes 2 ears 1 nose I'm bored tired sad" and crossed-out words) is better suited for a short story, in a long novel it gets tiresome.
I think I've finally figured out what that book reminds me of. Did anyone here ever watch Firefly? Reading Juliette's POV is like reading a book narrated by River Tam. Short bursts are interesting, but over long passages the skewed perception overtakes what's actually being said.
Reading Juliette's POV is like reading a book narrated by River Tam. Short bursts are interesting, but over long passages the skewed perception overtakes what's actually being said.