Call is a masochist but I like that kind of rejection far better than form. Friends and beta readers (and even many editors) are WAY too nice with their rejection. I want to know exactly what flaws the slush reader/editor found that caused them to pass on the story, and some truth from experienced readers at a good market is well worth some small bruises to my ego.
I've never subbed to Ray Gun yet, but they are on my radar. At some point I'll have something appropriate and send it to them. For someone who enjoys space opera as much as I do, I sure don't seem to write much of it though
Yes, I agree. I've brought it up in the past, actually, because I sometimes get discouraged by the fact that even personal rejections don't really give you a clear sense of what went wrong. Yeah, yeah, maybe it "just didn't work" for them, but there has to be something about the story that turned them off, and I really need to know what it is. Ray Gun, for all it's cruelty, at least let me know exactly--and I mean
exactly--what they didn't like.
All that said, it still stings, and when it stings, I like to talk about it.
Form rejection from Basement Stories. I've been subbing this story for almost two years now. It's tempting to just retire it, but there are still so many markets out there. I won't be satisfied until I've been rejected by all of them!
My latest acceptance, The Machine, was out for about a year and a half, and really didn't get much encouragement along the way. Actually, I was looking over my old stories, and The Machine was the one I had actually made the decision to rewrite entirely upon it's return from Absent Willow Review (because at this point I expect rejections). Ironically, they accepted it.
So hang in there. Try them all first before you trunk it.