Steins;Gate: One more episode left. Not sure I get how the solution's supposed to work, but... El. Psy. Congroo.
Actually I think I'll wait and watch the two last episodes in a row.
If you like girlfriends turning into dragons, maybe you'd like the anime movie *spoiler*: Tales From Earthsea (Gedo Senki)Moving onto Dragonauts (spelled that wrong). I have high hopes for this, however the art style is different, but ok.
Oh yeah..... SHE TURNED INTO A FLIPPING DRAGON I WANTS A GIRLFRIEND WHO TURNS INTO A DRAGON!!!!
Damn human girls, with their not dragonness.
I want Makoto to hold me in her arms and tell me that everything will be all right. Having Makoto’s firm arms around me would make me feel like a completely safe and content little girl. I want Makoto to get in a fight to defend my honor. I want Makoto to pick me up and carry me over the threshold. I wish to be Makoto’s wife. Makoto would treat me right. When I see Makoto, I feel like a maiden in love for the first time.
(I am male)
Say whaaaaaa?Man-Utena sighted!
Say whaaaaaa?
Also, quite a few of the relationships in Durarara scare me. Anyone else feel that way?
@Idolmaster (-Makoto):
Aw, she'd love you so much more if you complimented her on her feminine side.
So, is someone still watching No.6?
I'm so happy it finally picked up pace with ep 09 & 10. I like Nezumi and Shion but that was really a whole lot of talking. (Especially for someone who's constantly ranting about bringing down the city ...! Come on, DO something!)
I'm excited for the final episode.
I think the character was more like Touga or Akio.Man-Utena sighted!
I think the character was more like Touga or Akio.
At last an episode about Himari! I've been waiting for this. But what's with elevators and bishounens hiding in the cellar?
I knew there was something with the subway girls!
This was my favourite episode.
I've now watched the first three episodes of Maria Sama ("Cinderella ark"), and I already know I'm going to watch the rest. The show's social politics are obvious from the start. It's interesting to see the concept of "purity" come through in the imagery (white lilies being often associated with Mary's Immaculate Conception - which means Mary's untainted by Original Sin). Run this through a Japanese dichotomy of in-group/out-group, and you get interesting scenes, such as Yumi finding Sachiko in the gym (where they're going to rehearse for the play):
Yumi: *sits down.*
Sachiko: You're going to get your dress dirty.
Yumi: What about you?
Sachiko: I only just thought of it.
Yumi, Sachiko: *giggle*
This exchange is paradigmatic for the show so far (first three episodes): you have to test the ground and see who you can trust. Only the virgin herself is immaculate, but you can't reveal your "taints" just to anyone.
It's interesting to see Yumi's initiate status and how they all treat her. She's still pretty straightforward (as evidenced by her having the hugest eyes); I wonder how she'll change. First signs are already present.
Certainly a very interesting show. Only one complaint, so far, and not a big one: while I generally like the music (and sometimes it's really beautiful), I'd sometimes like it a tad less dramatic, a bit more subtle. The soundtrack sometimes takes over in a way I feel it shouldn't.
Some time ago I began on both Honey and Nodame, but I didn't get hooked on either. I didn't think they were bad though. Maybe I'll also look at them again some year.ETA: Usagi Drop reminds me I really ought to give Honey and Clover another chance. I think the last time I watched it I just wasn't in the josei mood. I also intend to watch Nodame Cantabile one of these days if I can find a version that doesn't use burnt-in subtitles.
Thank you for pointing out the difference between saviours and martyrs. I hadn't thought about that. Actually I think this is rather common in fiction, with one hero that is a saviour, and supporting characters (e.g. a mentor or friend) that also sacrifices their lives, but for temporary gains like giving others time to escape.That's the saviour path. The fun thing is that - in Christianity - this isn't a path open to every man. You - a Christian - are not supposed to try and be Christ. You're supposed to accept his sacrifice with gratitude and humility.
There is a path to sacrifice yourself for your belief: the martyr.
The fun thing is this: as soon as you abandon chosen-one talk, as soon as you take the duality of divinity and humanity out of Jesus' sacrifice, you transform it into an achievement rather than a divine gift. And if everyone can achieve this, you really have more a path to enlightenment.
That's interesting. I didn't think so much about the theme of purity, but I agree that it seems to be emphasized many times. I didn't think much about that dialogue either, though it clearly could be interpreted as alluding to sex or sin, or that Yumi would be infected with sin when hanging out with Sachiko. Though I don't see what Sachiko's dirty skirt would point to. She may have some flaws and secrets, but nothing that is easily symbolized with a dirty skirt. On the symbolic level maybe the writer made a mistake here.I've now watched the first three episodes of Maria Sama ("Cinderella ark"), and I already know I'm going to watch the rest. The show's social politics are obvious from the start. It's interesting to see the concept of "purity" come through in the imagery (white lilies being often associated with Mary's Immaculate Conception - which means Mary's untainted by Original Sin). Run this through a Japanese dichotomy of in-group/out-group, and you get interesting scenes, such as Yumi finding Sachiko in the gym (where they're going to rehearse for the play):
Yumi: *sits down.*
Sachiko: You're going to get your dress dirty.
Yumi: What about you?
Sachiko: I only just thought of it.
Yumi, Sachiko: *giggle*
This exchange is paradigmatic for the show so far (first three episodes): you have to test the ground and see who you can trust. Only the virgin herself is immaculate, but you can't reveal your "taints" just to anyone.
Yes, there are differences in how e.g. Sachiko, Sei, and Shimako treat her in the first episode. In the beginning it seems that Shimako is the one who is most nice to Yumi, and who takes her side the most. I find it interesting that she somewhat breaks my expectations of her, because most often those seemingly nice characters are often shy and timid, but Shimako shows some initiative, e.g. when she drags Yumi out of the classroom to avoid the journalist.It's interesting to see Yumi's initiate status and how they all treat her. She's still pretty straightforward (as evidenced by her having the hugest eyes); I wonder how she'll change. First signs are already present.
I didn't notice that, but I'll watch out for overly dramatic music next time I watch an episode. Yes there is some beautiful music. Maybe not many tunes that are so catchy that they stand on their own. By the way, there is one tune that reminds a lot of that tune from Amelie from Montmartre (Comptine d'Un Autre Été).Certainly a very interesting show. Only one complaint, so far, and not a big one: while I generally like the music (and sometimes it's really beautiful), I'd sometimes like it a tad less dramatic, a bit more subtle. The soundtrack sometimes takes over in a way I feel it shouldn't.
I didn't think much about that dialogue either, though it clearly could be interpreted as alluding to sex or sin, or that Yumi would be infected with sin when hanging out with Sachiko. Though I don't see what Sachiko's dirty skirt would point to. She may have some flaws and secrets, but nothing that is easily symbolized with a dirty skirt. On the symbolic level maybe the writer made a mistake here.
How do you mean that the gym dialogue is an example of in-group/out-group?
Probably. For example, Yumi hits all the right notes in the above exchange because she's being Yumi. She's not playing the same game Sachiko has to play. (Btw, I'm not sure about that yet, but there seems to be also a difference in social status outside the school. Sachiko seems to have a more comprehensive education, and she's also caught in an arranged marriageI wonder if not Yumi is one of the most pure characters in the series, in the having a pure heart sense.
The writers were definitely aware of it. The song they played when Yumi accepted Sachiko's rosary in front the Virgin explicitly connected the "white mountain lily" (yamayuri) to Mary. (That and the sapphire [new to me], which is the one that got wondered about. Heh.)When it comes to lilies, I was not previously aware that they were connected to Mary, so I thought that in the series they were a symbol for lesbians. At least the writer must have been aware of that.
I think so, too.Another thing that I did think about is the rule about walking slowly. Every time we see someone running it seems to mean something.
She didn't change. There were just signs that she might. Can go either way. The most obvious scene was when she faced the students who ask her what's going on between her and Sachiko, and she's playing the what-would-Sachiko say game, but breaks down and cries instead. No change, but change potential. And if she doesn't change that's interesting in itself - because she's now part of the Yamayurikai and would be expected to control herself better.How do you mean Yumi changed? I've had a hard time tracking the changes in her, except for her becoming more comfortable around the others.
Heh. If you didn't notice that, I'd say it worked for you.I didn't notice that, but I'll watch out for overly dramatic music next time I watch an episode.
Heh. That would be interesting. But I've still got plenty of regular episodes ahead of me. I ain't seen nothing yet.Hm, I've been daydreaming some. What I'd like to see is a season with the same characters put under more pressure, like being thrown into the wilderness, fleeing from a war, or a zombie apocalypse. It would be interesting to see how they would react and cooperate.
Yumi's refusal of the offer is very interesting, yes, also because it's the first time she acts independently and shows some strength.Probably. For example, Yumi hits all the right notes in the above exchange because she's being Yumi. She's not playing the same game Sachiko has to play. (Btw, I'm not sure about that yet, but there seems to be also a difference in social status outside the school. Sachiko seems to have a more comprehensive education, and she's also caught in an arranged marriage
[listen to that exchange, and think back to why Yumi initially refused the rosary; quite interesting, no?].
That scene felt off. Why would she question such a thing, considering that sapphires are also beautiful? Also, like other jewelery, they have some symbolism. I looked it up on the Internet, but the sources said different things, so I'm not sure what a sapphire is a symbol of.The writers were definitely aware of it. The song they played when Yumi accepted Sachiko's rosary in front the Virgin explicitly connected the "white mountain lily" (yamayuri) to Mary. (That and the sapphire [new to me], which is the one that got wondered about. Heh.)
That was a very good scene by the way, with Yumi trying to be like Sachiko. Yumi probably changes during the series, but in an imperceptible way so that I had difficulties of finding examples of it, except for one.She didn't change. There were just signs that she might. Can go either way. The most obvious scene was when she faced the students who ask her what's going on between her and Sachiko, and she's playing the what-would-Sachiko say game, but breaks down and cries instead. No change, but change potential. And if she doesn't change that's interesting in itself - because she's now part of the Yamayurikai and would be expected to control herself better.
That scene felt off. Why would she question such a thing, considering that sapphires are also beautiful?