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What the OP was looking for was advice on making two unique voices stand out from each other, that just happen to be different genders.
Your examples are extremely stereotypical. 'Gender typical' is one of the biggest farces. My husband dances with me and sings 'The Phantom of the Opera'. Is that romantic, or focused on sex? Hell, to be candid, because of his work schedule, many times I'm the one asking him, and he turns me down because he's too tired.
Even hobbies aren't gender specific. I know girls who like guns, and guys who arrange flowers.
Characters who follow this 'gender typical' model you've suggested are in danger of being very dull and cliche. Real people are so much more varied and complex than that.
Love it and agree. You said it better than me. My husband often complains that he's the romantic in the marriage. (Well, maybe somebody has to be.) He's also the moody, introspective sort of guy. (Yet ruggedly handsome with a full beard, tall, dark eyes.)
As for the op: to make two different voices, try inhabiting the character. I mean do it like an actor works when using 'method acting.' Walk around the kitchen with a cigarette in your hand, saunter, or move like the guy or girl you're writing. Or pause nervously. Or check the door to see if it's locked. Just inhabit that person for a few minutes.
Then do the same for second character. Experience how she or he feels. Isn't this what a lot of us did as children, when we played 'make believe' or 'pretend?'
I sometimes feel as though writing is like being a little kid playing 'make believe.' When I create a new character, no matter what pov I'm writing, I sort of feel like I'm in his or her skin. I don't get up and play-act unless I need to, which is rare, but sometimes I do. I need to be alone to do this, however. My family thinks I'm odd enough as it is.
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