I've gotten two. By editors at publishing houses.
Thanks, that's good to know. How did it work out?
I've gotten two. By editors at publishing houses.
"How many writers did you eat for breakfast this morning?" Sadly, AW seems to attract mostly reasonable people.
What kind of response did you get - a short note, a long letter, a marked up copy of the MS?
Thanks, that's good to know. How did it work out?
I'd like to know how safe a writer should feel putting voice before editorial constraints. I have a terrible feeling I was awfully lucky with Old Book - and the book before it as well. I'm not sure in the current climate that writers can hope for editors to spend too much time explaining why b follows a in plot terms when the author says but - it's the rhythm... which is what most of my explanations come down to... :blush:
(And don't get me started on copy-editor stuff like ellipses. That, my friend, is a whole nother bottle of Moet...)
That's the reason for my question. They said I should hear back "soon" and it has been a while. I wondered if I missed the mark on the revisions and if they might give me another shot if I'm close, or if they have a one-shot policy. Doing this without an agent is a real change for me.
I think this is part of a larger question about what happens when the editor's view of the work doesn't mesh with the writer's: is that right?
One thing I've been interested in ever since I was an editorial assistant at a major publishing house is "What kinds of books fall under the category of 'No matter how much I love this, it's unsellable and therefore unbuyable'?" I was shocked at an editorial meeting once to see an entire subgenre wiped out in a second due to this. (In that case, it was the equivalent of chick-lit for men.) It's always made me wonder what else would spark that reaction. My guess is that right now, vampire, shapeshifter, and dystopia novels would generally fall under that category, but I'd definitely be curious to ask.
So you feel those genres have run their course, for now at least? (Some of them are perennials, appropriately enough for the undead.) I know it happened with Chick Lit, and plenty of other fads---first publishers can't get enough, then they can't bear another one. I doubt that's changed, though the particular genres might have.
So you feel those genres have run their course, for now at least? (Some of them are perennials, appropriately enough for the undead.) I know it happened with Chick Lit, and plenty of other fads---first publishers can't get enough, then they can't bear another one. I doubt that's changed, though the particular genres might have.
It's not so much my personal feeling (I don't really read them, honestly, so I'm definitely not sick of them) as my impressions based on things I've seen agents saying a lot lately. Many have said on Twitter and/or in pitch contests recently that they absolutely don't want to see X, Y, or Z anymore, or "There's a crap ton of X on the market; you need to go the extra step to make your book about X be absolutely unlike anything I've seen before." I would be shocked to see someone selling a vampire book right now, and pretty damn surprised to see someone sell werewolf, angels and/or demons, grim reaper, or dystopia.
I think chick lit will eventually come back around, partly because I think the rise of e-readers contributes to people reading books in public they wouldn't have once upon a time (hence why erotica is super popular right now), and partly because it wasn't just a genre but it fit a kind of "vacation reading" niche and I think people are starting to miss it. Or maybe that's just my personal feeling because I would seriously kill to find to some good chick lit nowadays and I hate how nonexistent it is.
I fear I'm too late for the interview but I would love to ask, "What's one thing you would change about the publishing business?"
What would she absolutely LOVE to get her hands on right now?
(Not saying we should write to the trends, just wondering what an editor sees as the next big thing if dystopian, etc are on the downswing.)
I'd be curious about which genres are dead right now.
Thanks so much for this, Barbara!