I repeat: what is the structure of a memoir?
I keep getting feedback that my memoir writing is missing "structure" but no specifics as to what that entails. (I also get: "where is this going?", "I got lost", "what's the point of this?", "what's this about?").
I do get positive feedback as well, but the negative feedback is particularly troubling because I don't know where to start in fixing it!
Hi Phillip Michael,
It's a big question, and i will try to give a small answer, or rather several small answers:
1) All stories need a beginning, middle, and end. The beginning introduces the protagonist and the dramatic tension that drives the character forward. The middle shows the character overcoming obstacles, and learning. The ending relieves the tension and shows the character in his or her wiser state, often pondering the lessons of the story.
2) The "structure" also refers to the chronological sequence of events. Life happens in order, and even though memories dish up a potpourri, a random smorgasbord of events, memoirs put them back into an order that a reader can follow.
2a) Some memoirs include variations on simple chronology. Andrew X. Pham, Theresa Weir, and Rachel Simon wrote successful memoirs that interweave an earlier time with a later time. Gretchen Rubin's memoir Happiness Project is organized with a different project for each month. Often the period of time of the story is significant. David Berner in Accidental Lessons took a year to go through his story.
3a) Sometimes readers will complain about lack of structure but another way to "fix" what's bothering them is by paying close attention to the psychological pressure that drives the story. Because memoirs tend to be oriented toward overcoming psychological obstacles, the underlying pressure of the story is taking place in the character's mind. (For example, many memoirs are organized around a search for self-identity. AM Homes Mistress's Daughter is a good example. I could easily list a dozen. this is a very common theme.) By clarifying and strengthening this propulsion, the reader will *feel* a sense of structure, and the problem might be solved.
I hope this helps.
Jerry