I'm really new to this, so you can feel free to roll your eyes if this question/comment is a rehash of something that's been said/asked a zillion times.
The writer's primary job is to write the book... right? The publisher handles most of the marketing - so that they can make money. (catalogues, advertising, etc.) That means that the division of labor falls greater on the publisher to promote the book once it's in print, thereby freeing up the writer to continue writing and hopefully making both parties income. Sybiotic vs. Parasitic.
If the writer is totally consumed with self-promotion, or is made solely responsible for approaching bookstores, libraries, etc. to physically stock their books on shelves, then they won't have time to write.
Plus, since these books ARE NOT stocked in the locations where the signings are taking place, I would assume that the author is also responsible for providing their own signing copies. (unless they can arrange for the publisher to send some to the location, but if they're POD I dont think that happens often) Unless you sell the books at an outrageous markup, how do you expect to turn a profit of any size - large or small?
If no one can afford your books, and if even libraries don't stock them, then exactly how is it that you expect to gain a following or even have the joy of knowing strangers enjoyed the story you had to tell?
Personally, I would NEVER go with a company like the one I've heard described (and that's weighing the positive replies and negative ones). All the energy and good intentions in the world can't make up for a good end product. Rushing ahead to publish seems a bit immature and self-defeating. I wonder if the manuscript pitched to Caco was complete or if it was the same partial HC turned down. Fiction publishers don't usually go with unfinished works - they have no way of knowing if they'll end up with a marketable product - fiction printers, however will.
I read through this whole thread today and have the following questions:
Does anyone know the ratio of rejections for Caco? What's their percentage of acceptance vs. submission? Is it like some of the other printing presses that will accept anything? Do they even supply the author with his/her own copies of his/her own book once the book is in physical print rather than solely online?