AEI, a highly respected multimedia and literary agency (Objective Entertainment is multimedia and not just a literary agency, by the way, which is why this applies) posts the following on the submissions page of the AEI website:
Your work must be finished and properly edited before seeking our representation (meaning proofread, spell-checked, and rewritten until it's up to professional standards). If it's NOT in that condition, and you require professional editorial or rewrite assistance (on a fee for service basis) before seeking representation, you may direct your work to the attention of Writer's Lifeline, Inc., a separate service established by AEI's founders to help promising writers create a bridge to professional success.
Writer's Lifeline, Inc., an AEI-affiliate charges fees for editorial coaching and publishing consulting services requested by writers in need of honing their story-telling or presentation skills. Please note that working with Writer's Lifeline, Inc. does not guarantee representation by AEI, although AEI's founders help shape the projects and gets "first look" at them.
Writer's Lifeline clients have accounted for approximately 70% of AEI sales.
So, I'm wondering why it is okay for AEI to offer editorial and rewrite assistance on a fee for service basis, but it's not okay for Objective Entertainment to do something less dramatic? I'm not saying I'm in favor of the policy, necessarily, but it certainly hasn't hurt AEI's success or reputation. Thought I'd throw that out there for grins.
Objective Entertainment is a multimedia management company, not just a literary agency. That is why I chose to query them -- they are not like the other guys.
By the way, Ms. Jote announced on her blog yesterday that the work of one of her clients, a debut author named Nana Brew-Hammond, was placed with Simon and Schuster.
Congrats to Ms. Jote, Objective Entertainment and Ms. Brew-Hammond.