I think I'm going to hang back from that movie for a while, and catch it on cable eventually.
I'm trying to wrap my mind around the approach to gather (and pay) some appropriate sensitivity readers. Here's my problem: I'm not writing contemporary Earth-set stuff, not even alternate history. Many of my fantasy & SF manuscripts are set in very far futures or far pasts, in different universes. There *was* an Earth, but it's long gone by storytime.
There is profound racism, though: between different groups of humans, and humans and aliens (on both sides). It drives a lot of the back history stuff. I have POC in the fantasy settings, but I don't make a big deal out of it via those characters. They just are, and their skin tone is less important to them than whether their great-great-great grandma was a witch or a sorcerer, or had bare skin or fur-and-a-tail.
In the space opera settings (nearest to our time, but still about 3000 years from now) most of humanity is more-or-less brown/dark tan toned. Their societies are variable, between practical frontier worlds and rich long-settled planets. (I so borrowed from Firefly, Babylon 5, and The Expanse!)
I'm not writing 'Save the Pearls' (ugh, the mms that brought down Weird Tales for me). I'm also not writing contemporary Earth POC. So their input, while valued intensely, isn't going to shape as much of these books as it would if I were writing urban fantasy, near-future SFF, or Paranormal Romance. I don't want to step on toes, ignore great advice, or get caught in some of the RaceFail traps I've seen over the last few years.
How do I proceed to find sensitivity readers?