File this under Journey's "Don't Stop Believing."
I started my NF book more than seven years ago. It took a lot of time, effort and rewriting (like all books do). I had one agent and one day he emailed me with "great news!" I was so excited and emailed and called for two days with no response. Finally, he gets back to me. "I decided to fulfill a life-long dream and get OUT of agenting and work for a local nonprofit! I'm so excited." (Imagine how I felt...)
After a lot of work, I got another agent who got me a couple offers. one for a library edition, which I declined. Then Simon and Schuster, but they wanted to tone done the religious aspect of the book and refused to include photos, both of which are key to the story. So we turned them down. And then a religious publisher wanted the book but said to remove all the explicit sexual abuse and language and no photos. Since I really wanted this for a mainstream audience (and people of faith), we turned them down.
Then THAT agent decide to retire! Ugh! But I fully believed in the story and knew I had a responsibility to the people whose story I told, so I pressed on. Some agents were interested (and AW is great for vetting as we know!), but didn't have the "passion" I knew was needed. And as we all know, many of the agents ask for the proposal and then...silence. Even after a follow-up, silence. Which, like dating, means no, but at least "no" means no!
So I started reaching out to indies who often don't require agents. And Freethought House (atheists!) loved the proposal, "got" the importance of the story, wanted to use photos and illustrations from the cult (eventually used more than 50) and while we edited and cut content, the religious side of the story is clear as well as the horrific abuse that occurred. I still love the irony--as do the former cult members--that an atheist publisher would take on this book!
With many of the larger publishers, you get input but maybe not final say with the cover they create. With Freethought, I rejected the first cover and they said, "Well, we have this other cover..." which I thought told the story perfectly in one image: 1960s/`70s Rock & Roll/Jesus Movement/Cult. All I suggested was changing the type face to a 60s/70s font, which they did but went further, using the font from the cult's first album. It was perfect. This was the book as I always imagined it, from the cover to the content to all the images included.
Two final pieces of good news:
First, during all those years of writing and re-writing and interviewing people, I reached out to three extraordinary editors, who helped me reshape the book, cut the dross, add in what was missing, etc. Having those objective voices is key as we all know. The publisher had an exceptional copy editor and another editor gave it a read for content, so by the time it was published, it was the best it could be.
Second, Hollywood came calling and a reputable film agent (projects for Tom Cruse [ironic!], Ryan Gosling) loved the book and is shopping it as either a feature film or mini-series. I know Hollywood grinds very slowly, but it's a great validation of all those years of hard work.
Finally, the book received great reviews and blurbs (those are like Christmas presents!) and I want to share something with everyone that helped me over those seven years of rejection, agents quitting, and re-writes: Make friends with authors and experts in your field NOW so when you need the blurbs, you're not suddenly begging them for favors, you already have a relationship. My publisher was thrilled when I was able to get more than 25 blurbs by bestselling authors, musicians (both mainstream and in Jesus Music), and cult experts. I had exchanged emails with these people for years so when I needed the blurbs, most all rose to the occasion. (I sent out about 200 requests, 60 said they would, 25 came through, and I have about 10 that still plan to by end of September.)
SO NEVER GIVE UP. If you have a passion for your project, you won't give up. If you don't have that passion, then set aside that book and start one that you do have a passion for. And while those rejections are piling up, be certain to be reaching out to authors and experts in your field and support them and their efforts, and then one day when you are seeking out blubs and endorsement, you'll have a huge list of people who will congratulate you and be happy to write something great about you and your book.
I hope this helps at least one of you! Good luck! And to quote Flashdance: "Take your passion and make it happen!"
I started my NF book more than seven years ago. It took a lot of time, effort and rewriting (like all books do). I had one agent and one day he emailed me with "great news!" I was so excited and emailed and called for two days with no response. Finally, he gets back to me. "I decided to fulfill a life-long dream and get OUT of agenting and work for a local nonprofit! I'm so excited." (Imagine how I felt...)
After a lot of work, I got another agent who got me a couple offers. one for a library edition, which I declined. Then Simon and Schuster, but they wanted to tone done the religious aspect of the book and refused to include photos, both of which are key to the story. So we turned them down. And then a religious publisher wanted the book but said to remove all the explicit sexual abuse and language and no photos. Since I really wanted this for a mainstream audience (and people of faith), we turned them down.
Then THAT agent decide to retire! Ugh! But I fully believed in the story and knew I had a responsibility to the people whose story I told, so I pressed on. Some agents were interested (and AW is great for vetting as we know!), but didn't have the "passion" I knew was needed. And as we all know, many of the agents ask for the proposal and then...silence. Even after a follow-up, silence. Which, like dating, means no, but at least "no" means no!
So I started reaching out to indies who often don't require agents. And Freethought House (atheists!) loved the proposal, "got" the importance of the story, wanted to use photos and illustrations from the cult (eventually used more than 50) and while we edited and cut content, the religious side of the story is clear as well as the horrific abuse that occurred. I still love the irony--as do the former cult members--that an atheist publisher would take on this book!
With many of the larger publishers, you get input but maybe not final say with the cover they create. With Freethought, I rejected the first cover and they said, "Well, we have this other cover..." which I thought told the story perfectly in one image: 1960s/`70s Rock & Roll/Jesus Movement/Cult. All I suggested was changing the type face to a 60s/70s font, which they did but went further, using the font from the cult's first album. It was perfect. This was the book as I always imagined it, from the cover to the content to all the images included.
Two final pieces of good news:
First, during all those years of writing and re-writing and interviewing people, I reached out to three extraordinary editors, who helped me reshape the book, cut the dross, add in what was missing, etc. Having those objective voices is key as we all know. The publisher had an exceptional copy editor and another editor gave it a read for content, so by the time it was published, it was the best it could be.
Second, Hollywood came calling and a reputable film agent (projects for Tom Cruse [ironic!], Ryan Gosling) loved the book and is shopping it as either a feature film or mini-series. I know Hollywood grinds very slowly, but it's a great validation of all those years of hard work.
Finally, the book received great reviews and blurbs (those are like Christmas presents!) and I want to share something with everyone that helped me over those seven years of rejection, agents quitting, and re-writes: Make friends with authors and experts in your field NOW so when you need the blurbs, you're not suddenly begging them for favors, you already have a relationship. My publisher was thrilled when I was able to get more than 25 blurbs by bestselling authors, musicians (both mainstream and in Jesus Music), and cult experts. I had exchanged emails with these people for years so when I needed the blurbs, most all rose to the occasion. (I sent out about 200 requests, 60 said they would, 25 came through, and I have about 10 that still plan to by end of September.)
SO NEVER GIVE UP. If you have a passion for your project, you won't give up. If you don't have that passion, then set aside that book and start one that you do have a passion for. And while those rejections are piling up, be certain to be reaching out to authors and experts in your field and support them and their efforts, and then one day when you are seeking out blubs and endorsement, you'll have a huge list of people who will congratulate you and be happy to write something great about you and your book.
I hope this helps at least one of you! Good luck! And to quote Flashdance: "Take your passion and make it happen!"
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