There's an interesting article about John Green's long-time editor, Julie Strauss-Gabel, in today's New York Times. She's also the publisher of Dutton Children’s Books, which has been putting out many of today's YA bestsellers. She's given credit for finding and editing many of those bestsellers. She has much to say about YA fiction and its future.
Early in the article there's a six-paragraph discussion of current YA. Here's part of one of the paragraphs.
Why is this? I'd guess one reason is that today's YA is as well-written as most adult fiction. Not just at the lowest levels of description and dialogue, but the higher ones of characterization, plot, and theme. I've noticed this excellence for the last decade or two since I began reading YA again.
Another is that discovering oneself and one's place in the world is a universal theme, not just for teens but for everyone, even those in their twilight years. And this discovery process is a big element in most YA.
But not all. Much of today's YA features themes and problems everyone faces, not just teens. Some of them are pretty dark, but some are more complex and interesting.
I highly recommend this article to every writer who writes or wants to write YA fiction.
http://www.nytimes.com/2015/04/12/b...-the-best-sellers-of-young-adult-fiction.html
Early in the article there's a six-paragraph discussion of current YA. Here's part of one of the paragraphs.
If you do the math, 65% of 65% is %42. So almost half of YA readers are adults.Adults aged 18 to 44 made up 65 percent of young adult book buyers in 2014, according to a recent Nielsen Books & Consumer survey, and men accounted for 44 percent of young adult book buyers in 2014, up from 31 percent in 2012. And 65 percent of adults buying young adult books reported that they were purchasing the books for themselves rather than for children.
Why is this? I'd guess one reason is that today's YA is as well-written as most adult fiction. Not just at the lowest levels of description and dialogue, but the higher ones of characterization, plot, and theme. I've noticed this excellence for the last decade or two since I began reading YA again.
Another is that discovering oneself and one's place in the world is a universal theme, not just for teens but for everyone, even those in their twilight years. And this discovery process is a big element in most YA.
But not all. Much of today's YA features themes and problems everyone faces, not just teens. Some of them are pretty dark, but some are more complex and interesting.
I highly recommend this article to every writer who writes or wants to write YA fiction.
http://www.nytimes.com/2015/04/12/b...-the-best-sellers-of-young-adult-fiction.html