So, Paddismac and Kalli, the translation I'm reading is by A.S. Kline.The wording doesn't bug me, although I'd certainly be willing to try another.
Some of the problems in adapting I think are due to modern expectations. Homer does a lot of adding to the name soup - son of Peleus, sons of Atreus, Atreides, son of Cronos, Greeks, Danaans, Achaeans, etc. I personally enjoyed tracking down the allusions, and the extra names never bugged me, but I'm hardly a typical reader in that sense. I can certainly add more adjectives, like white-armed Hera, but again, I'm fighting modern expectations on that one. Rosy-fingered dawn would be considered cliche in anything BUT Homer.
And I would love to read it in the original Greek, but I never wanted to quite badly enough to learn it. I didn't even learn much Latin since I was a post-Vatican II baby. I know enough Spanish to get by on jobsites (sometimes), and I can read a little French, but that's not much help. Growing up in a monolingual society wasn't helpful in terms of language skills.
Yay for a thousand words, rwm! My word counts are depressingly low right now. I'm going through the first half of my manuscript, adding scenes and description, but that's somewhat balanced by compressing sentences and deleting phrases. I'm almost a thousand words up in four days, but the manuscript's improved, too, so that's the main thing. I've got the next scene worked out (finally!), but I'm embarrassed to admit my sub-plot for the gods in Olympus for Bellerophon lacked cohesion. It was mostly cameo appearances related to Lero's narrative. I want that plot to have the Olympians as three-dimensional characters with arcs of their own, not just have that narrative service the events in Lero's life. And I want it to tie into the later Trojan War.
All I've got right now is an idea that Aphrodite and Athena compete, and Aphrodite loses out, which would set up the desire for the later competition with Paris, at least for those two goddesses. Athena and Poseidon are mending fences, mostly as a result of a common interest in Bellerophon. And Zeus and Poseidon are somewhat at odds, because I've got my antagonist, King Proteus, sacrificing frequently to Zeus, and my MC is Poseidon's son. It's not enough for riveting conflict or a cohesive narrative.
Something will come to me. I've scheduled a phone conversation with a beta who's quite good at batting around story ideas, and I'm trying to outline narratives. But I don't feel like I can really write much in the way of new narrative until I've got my story-behind-the story worked out. And it's tricky, because I don't want to cross that deus ex machina line either, even though it's very Greek.