Book within a book

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Al Stevens

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I'm kicking around an idea for my WIP and can't get an objective hold on it. I'd appreciate comments.

The MC, a PI, learns he was adopted and that his birth father, now deceased, was a famous cat burglar and second story man. His birth mother gives him a manuscript of his father's memoirs, written in prison.

In Robbins' "The Carpetbaggers," he inserts the story of Nevada Smith as a novel within a novel.

I'm considering including the cat burglar's memoirs in my WIP much the same way that Robbins did. What do you think? Contrived device? Lame vehicle? Copycat? Good idea?

I'm not married to the idea, but it has been pestering me. I need to re-read Carpetbaggers (it's been years) to see how Robbins handled it. The movie versions did it as two different and unrelated movies.
 

Taytortots

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I think having a book within a book could add dimensions. It would be interesting to read.
I haven't read "The Carpetbaggers" so I'm afraid I can't add insight on this front, but i don't think it's 'copycatting'. There are many ideas used in multiple novels, I don't think this is any different.
 

Saint09

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I say do it. If nothing else just so can read it.
 

song_of_calliope

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This sounds like a really good idea to me. I've seen this handled by using different fonts for each book so the reader can tell at a glance which one they're reading. I can't remember where I saw this but it seemed to work very well.
 

maxmordon

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I like the idea. Once I had my WIP reading a story his father wrote, the text from the story within the story was completely bolded. Also, every now and then my MC would skim some bits to both: reminding us he's still there and to move faster some bits giving a deeper idea of this as a book within the story.
 

Sam K.

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You could also possibly read House of Leaves by Mark Z. Danielewski, which takes it to the extreme, with a film-within-a-book-within-a-book, and handles it very well.

It's a hard one to decide - maybe write the memoirs as a side project, and see what comes of it? Then you can insert it, see what it's like, and if it doesn't work, it doesn't work. You could also try doing kind of Robin Hobb-esque chapter openings, that start with an extract from the fictional book.

I don't think you need to worry about "copycatting", given that these concepts have been used and reused like nobody's business, so that's not the worry - it's whether it feels right to write it like that.
 

Leigha David

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I'm actually kind of intrigued by this concept and I agree with the others; just go for it and see where it takes you! I think it has potential.

I like song's suggestion. Maybe you could write the MC's parts in regular book format in something like Times New Roman and then write the memoirs with Courier New font and have the paragraphs double-spaced? Not sure if that made any sense (and it's probably a silly formatting idea anyway), but I like the concept of it in my head.
 

Al Stevens

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I like the font ideas. It will be an e-book, so my options are limited. But there is a way to switch Kindle in and out of a Courier font.

Thanks for all the comments.
 

Aggy B.

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This sounds like a really good idea to me. I've seen this handled by using different fonts for each book so the reader can tell at a glance which one they're reading. I can't remember where I saw this but it seemed to work very well.

The original Neverending Story used different font COLORS to indicate which world the story was taking place in. Not something I would specifically recommend, but it was cool in a fantasy.

Aggy, impressed by it when she read it in her teens
 

The Lonely One

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Well, it is a device. I think what you're referring to is some variation of a framed narrative. And don't worry about it being overdone. It's just a technique like any other.

Sounds like an interesting idea, though.
 

richcapo

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Al,

I say to just write it and see what happens!
I agree.

My answer to these types of questions are always the same: Just do it. Give it your best shot.

Honestly I don't understand questions like this. They're like the "can ...?" questions I frequently see on these boards -- e.g., Can an author blend science fiction and magic in the same novel? Can switching from third person narration to first person narration work? Can gods work as protagonists in modern fiction? -- they totally baffle me.
 

Al Stevens

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Honestly I don't understand questions like this. They're like the "can ...?" questions I frequently see on these boards...they totally baffle me.
The question wasn't "can I..." I can do whatever I want. It asks for the comments of others who will have an objective view of the issue. And it's about an uncommon device. What's so hard to understand about that?
 

richcapo

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The question wasn't "can I..." I can do whatever I want. It asks for the comments of others who will have an objective view of the issue. And it's about an uncommon device. What's so hard to understand about that?
I didn't call it a "can ...?" question.
 

richcapo

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You said it was like one. What's the difference?
The word like. "What's so hard to understand about that?" They share similarities; they are not the same: Both baffle me. Both garner my same response: Just do it, because both are all about the execution. Everything in writing is all about the execution, which every author should know, I believe.

If you still don't understand me after having read the above, I'm sorry, but I don't think I can help you, and all that's left for me to say is good luck.
 

Al Stevens

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If you are still baffled by my question, I can't help you. I tried. Let's move on.
 

Springs

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I like the idea! It sounds nifty and fun to read. If you're looking for examples of books within books, I can't really think of any in which the author wrote the book him/herself, but in John Green's Paper Towns, the protagonist was reading Whitman's Leaves of Grass in a plot-relevant way, so that might help you get ideas for how to reference the book.
 

song_of_calliope

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David Mitchell's book Cloud Atlas is a brilliant example of this - it's actually a book within a book within a book within a book.... You have to read it to believe it!
 

JT Baroni

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Hi Al!
I had no idea there were so many stories that had a story within a story plot.
I just had a paranormal novel released that fits this category. For the first three chapters, my protagonist is a sports writer who is in line for a well-deserved promotion, however the Paper grants the promotion to a younger, lesser qualified writer. Outraged, he quits and moves to the country to write fiction. He stumbles upon a lone grave in the middle of the woods and writes the dead girl's story, which is the next nine chapters. The final three chapters is what happens when the little girl doesn't like what he wrote about her.
It turned out rather well, so I say go for it.
Good luck. JT Baroni
www.jtbaroni.com
 

tmesis

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It's not unusual by any means, and especially common in postmodern fiction. There are countless examples, both in literary fiction and genre fiction. Its roots go way back. The earliest example I can think of is Frankenstein, where the story is told through a series of letters. No doubt others predate this.

I'd wager that part of the reason is the old adage 'write what you know'. Writers know writing better than anyone. :)
 

jasonaaronfox

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I've been kicking this idea around myself for a series of books I'm writing that cross a period of history that is over 2000 years. I've considered building some of the back story of the empire in a series of small books read by the protagonists.
 

movieman

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I had character #1 reading the diary of character #2 who was reading the diary of character #3 who found a video showing the fate of character #1. But I was just being pretentious and I toned it down in the final draft :).

As others have said, books in books, or stories in stories (e.g. a character in the book telling their story to another character), are common in literature. Maybe less so today than a few decades ago.
 
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