The AW Amazon Store
Buy books by AWers
He sat in the dark
Keeping warm over a fire of images
And no matter what colors
Flickered through the glow
His face stayed blue
I’ve built my life around chasing moments of influential ecstasy
The euphoria that springs from the pages of great books
The ache that follows a song whose lyrics you don’t even understand
Those epiphanies brought on by clouds of marijuana smoke
In the midst of these throes of the abstract
Everything falls into place
Or I resign myself to the chaos that reigns wild
There is something in our words, when heard, that releases, increases meaning between us and opens our eyes upon the rhyme.
Words will say blood, lust, honor and love with truth thrust up fast past the last one for weight while measured close for beauty and time.
They are blind signs to bind minds with nothing but the least and most important thing, breath.
Bright lights of life to drive another's thoughts with their lines and touch them inside with what we've said.
Our words are our reflections in sound and reveal more than we intend. And though we may abuse and bend them we are bound to them and let ourselves be found.
Hm... this is titled "Marionette"
I loathe time
Try to fall asleep
Count back from 1000
And end up at 2015
Never claimed to be good at math
Never asked to be a doormat
I'm tired of lying
And tired of hiding
The void inside of me
It shows no sign of dying
And this one ain't on me
No, this one's not from my lead
You each took what you needed
Till my heart barely beat
A thin, struggling melody
Lift your head, baby, you might just hear
Yet I'm still firmly standing
Isn't that's what's so shocking?
And you, you're still a-pulling
All of those thin little strings
But guess what, dearie?
This little marionette girl
Always saw those thin little strings
And one by one, she kept snipping
Snip snip snipping till she was free
Lift yourself up, girl, the world is within reach
But if the war is over
If this war was won
What's left of the survivor
But the personas she's worn
And is that why she looks so very lost
And is that why she seems so very torn
She just keeps saving everyone else
It's her nature now, all she has left
But this here now is the final test
Of if she can allow for help
Of if she will save herself
Oh, everyone, hold your breath
Last edited by Lancastrian; 10-28-2013 at 03:06 PM. Reason: OCD and stylistic choice
This is my older style:
When the fae, fly away,
To the land of, nevermore,
Reaper’s words, have no sway,
Words one can’t, ignore,
In the land of, nevermore.
When the fields, turn to grey,
One listens to, a wolves bay,
As it howls to, nevermore,
Singing words, one can’t ignore,
In the land of, nevermore.
for the Sun’s
Heed these words, do take,
No more land of, nevermore.
Nevermore is a recurring setting in my work. Shepherdess Song is technically more current. But it's so experimental, I wasn't sure if it was worth showing.
Last edited by JustSarah; 12-25-2014 at 12:42 AM.
Beyond The Dreamer's Edge -- Complete
Simply Pace -- Complete
The Incarnations Of Hemato Tomato And Anna-Marie -- Complete -- LitReads Sticker
Meadow Of Gold -- Archival
The Mortal Avatar -- Complete
O Raphael -- W.I.P
People of Australia
People of Australia, please stop, and try to understand
From fathers strong and brave we came, they pioneered this land,
Hang your heads in shame and weep at what we are today
Let us take a look at how life was before we became this way.
Our children once played outside with toys, had lots and lots of fun
No wires hanging from their ears, nor those of Dad or Mum,
A cardboard box, a piece of wood, a house built up in a tree
Their imagination made these things a pirate ship at sea.
Our mothers washed our clothes by hand, worked hard for me and you
Now we need a ‘Smart Machine’ that tells us just what to do,
And our steam irons have an IP address, now that’s a real must
Did we truly once use our hands, to sweep and clean and dust?
Once T.V sets (if owned at all), beamed proudly black and white
No choice of fifty channels, on which to waste our sight,
There was a time when mobile meant to walk and run around
Now all we hear everywhere, is the latest Ring tone sound.
Clothes were made to last and last, and then passed down the line
The quality was very good, and the workmanship was fine,
Lovely garments strongly made, we wore those clothes with pride
No three months of cheap imports, which soon get thrust aside.
There was a time when payday meant, our cash was paid out by hand
We loved to hold those notes and coins, now that was something grand,
And do you recall when women were so proud they worked at home?
Their incomes were not needed to pay out the mortgage loan.
Much is wrong in this land of ours, when you hear your neighbours say:
‘Your Christmas Tree offends me: just remove it right away!’
And the politicians they do forget those who placed them there
Too busy with their limousines and beauty parlour hair.
Now there’s Political Correctness, goodness, what a shocking term
But it has a very real tragedy; our children will not learn,
When books are changed in fear of any term that might offend
They no longer print the words that the original author penned.
If we give the vote to ID cards it will be the first step down the track
To our freedom gone and we won’t know until we want it back,
What fools of us the world wide that Millennium Bug did make
Panic all around the globe, we thought our lives at stake.
It has become a land of want, of rush and stress and greed
We have moved so far away from what we really need,
What would happen to us all, with one EMP burst from space?
Back to the stone-age life we’d go, and perhaps a state of grace?
So people of Australia, please stop and look back down the years
Our fathers pioneered this land for us, toiled with blood, sweat and tears,
Hang your heads in shame and weep at what we are today
Because people of Australia, we have surely lost our way.
Last edited by Escaliba; 08-23-2015 at 05:26 PM.
For Robert Kipniss
"Don't worry about readers. Their on their own and will find meanings for your poems in their histories and yearnings. Let language go where it wants. If readers respond to your language, the poem can't help but mean." Poet Richard Hugo
I posted this one in another thread, but I think it represents me.
in the cradle
of sturdy tired arms
no longer baby, not yet child
legs draped over my thighs
kiss your hair
I cradle closer
though rocking is past
I miss you
even while you are still mine
(Hope it's not too late too add on to this thread. This is a new piece for me. It's a little out of my typical style, but more suited to reading than my typical spoken word pieces.)
I am comprised of nursery rhymes
School photos with bobbed off hair
A thousand and one Christmas dresses in plaid and velour
Worn squirming with my polished patent soul.
My mother's voice drags me into the past
With half remembered quaitrains
From midnight storybooks and tattered tales.
If I have ever existed it is
Comfortably caged by childhood memories
Bedtime stories and
School Picture Day and
Christmases more ancient than my eyes.
Every day I fade in the mirror
Collapse into pieces of poetry like entropy.
The rhyme is all that remains when the reason disappears.
Poems are ghost stories
And if ghosts exist in these pentameter parameters
I am the spirit I would most like to meet.
Now that this thread has been bumped, I might as well contribute. This one of mine probably comes closest to the spirit of the OP, as I understand it.
when he came too near,
...........in his hand,
cut me down,
haul me to his parlor
.....pruned to fit,
...........bit by bit,
.....burdened with baubles
...........hung by children,
That was not my plan.
I dug my toes into the soil,
.....and reaching high.
I grew tall
Years coiled round
.....and marked me,
.....thickening my skin.
One by one,
.....they passed me by.
I stand surrounded by sky
.....and barren ground
and I wonder,
when I fall
if I will make
This was written in room 587 of the Sandman Hotel in Kelowna, a few nights before Christmas; these were the last great memories and fun times with the woman who near-destroyed me. That I am able to look at them now is a marvel. I give no promise as to their worthiness amongst all your works here...but the image should be apparent. Hopefully.
There are pieces of the night,
between the sheets a resonance.
A star hidden in the darkness of
our spent silence.
And in the heavy room
where light is trying double-hard
to gain our companionship,
to play awhile longer at some sort
of game that involves a deck of
cards and alcohol,
we'll let it follow far behind,
let it wait until we throw our cries
from five floors to a waiting lot
We are all children in our hunger,
in our expectation.
We are all nervous of what
and lies hidden weakly behind
and the sweet word.
Just realised I never posted in this thread. So here we go:
a grove, a wall, and an aeroplane
Raindrops sprinkled down from the pine tops,
painting the dirt track ahead, while the moon
guided us back to the old country road...
each forward step, an October undone—
our friended lips met—teen lovers again.
We stopped to sit on a crumbling wall
and played at spotting a shooting star,
but settled instead for an aeroplane
to grant that teen lovers could remain.
The grove behind, secreted away,
is where, as kids, we warmed our hearts with cider
and dared to dream of a world beyond
the trees—a world where you would hold my hand,
whisper our future: teen lovers always.
any other place
If I had known of any other place
(a woodland grove, or perhaps speckled cliffs)
to serve as a backdrop, and if I’d shared
that place, would you have stood in front of it?
If I had known the path that led toward,
or to a stretch nearby, could we now say,
‘forget such foolish ifs’, and live instead,
passing by the moss and rock of day-by-day?
Yet, just as the tides eat away the shore,
a remnant thought corrodes the path we took
while clambering vines struggle forth to adorn
the what-if place we never stood before—
and if you could believe in such a place
as where we are, would you still walk with me?
To know that slumber could never take you
(that hushed words meant a single caress,
or one last second with you to my breast)
nor angels, smiling, could fold their wings,
I would submit to silence: psalm, spoken
between moments chained to culled breath—
augmented melody in recall, and yet
never allow my weary lids to shy.
There is no truth to find in peaceful rest,
no peace in pressing the day from my head,
but in darkness, I wait to hear—and long
for your disruption: nothingness in song.
For in the tune of your timid somethings,
I could surrender to a lullaby.
I often pretend to see her dancing
I often pretend to see her dancing
at twilight, between stars where light refuses
to lift — she twirls against the ether
while the cool evening patina resolves
to degage in blotted words on a page.
I misprint moments pooled in spilt ink,
and allow for ripples to plie —
the ephemeral ballet then seeps soft
behind the nocturnal eye as movements
that never were and never will be
again; tenderly, the veiled tendu
turns the final step, and the phrase is clear.
I often pretend to see her dancing
at twilight, pas de deux with sunken verse.
a dream of Mumbles
With our heels pointed toward the distance,
we watched the moon shatter across the pier
and promised we'd find each fallen fragment
no matter where the night would seek us.
Through December's familiar retention,
each turn saw shards lost beneath faded touch
and silence now steals us from the teenage cwtch
when the sky was ours for the keeping.
Yet, always recalled to the promenade
where age has altered memory's store-front —
we will never cash in our cosmic pieces
nor sandy heels for their distance covered.
We linger, embraced beyond sound's reach
in a dream of Mumbles on the horizon.
That should do.
Last edited by kborsden; 03-04-2016 at 03:07 PM.
Kieran Borsden"to be born Welsh, is to be born--not with a silver spoon in your mouth, but with song in your heart, and poetry in your soul"
I write a lot of non-fiction poetry and historical poetry. I'm waiting on possible publication for this one. I have a Harriet Tubman poem I need advice on, which was my motivation for coming here
[INSERT Self Portrait Along the Borderline Between Mexico and the United States, 1932 by Frida Kahlo]
This is an early self-portrait by Frida Kahlo, three years after her marriage to famous Mexican painter Diego Rivera. Rivera achieved renown in Mexico and the United States, which brought the couple to the states so Rivera could create large commissioned murals in New York City and Detroit. Kahlo was relatively unknown as an artist in her lifetime. Rivera and the press referred to her as Carmen Rivera. She preferred Frieda, but the name evoked thoughts of Nazi Germany. She later removed the ‘e,’ calling herself ‘Frida’ so as to sound less German.
Frieda Kahlo, Standing Along the Borderline of Mexico and the United States
BY LINDSEY THADEN
Covered in blood and cheese, purple,
I came into hot lights, black curly hair, brown arms,
screaming, writhing, fighting—
Two hemostats clamped and then between,
a doctor cut a pearly, blue cord.
My given name, Carmen,
Now born a Rivera,
I still scream, mierda, fight—
I cannot find myself.
I chose Frieda,
which extends from silver nostrils
like large, flat paint bristles
and burns like noxious gas,
crossing, sharp edges—
1925, there was a crash.
Shattered glass suspended midair,
a grand chandelier sparkled brilliantly in the sunlight,
before turning to sand whipping over jagged, hard peaks—
arms and legs made right angles amidst screaming.
Then I felt it—
a hot, sharp metal piercing into my soul.
A fertility god lay broken at my feet,
dead as my womb, dead as calaveras
dancing before tamales, mole negro, pan de muerto.
I look to the Aztec sun,
rojo, blanco, verde.
The cacti flower and their roots
reach deeper into the earth
Plumes of black clouds
block the scorching heat as
steel and glass rise from the earth
I cannot see myself.
I blow like a seed among rocks, thirsty,
I cannot see the sun.
Poison, a means to this so bitter end.
Stand defiant around death. No pikeman
Will your flesh and at last your spirit rend.
The first rape ichorous upon your tongue:
Virgin women, your nation, your daughters.
Too many and more final dirges sung.
War-painted faces, same daughters reclaim-
Ambush, metal and wood crack. Success.
Travel further. A rape for a rape. Flame.
Camulodunum burns. Reinforcements.
Escape, to the plain. More to take, to free.
More soldiers seen, call upon the ancients.
Phalanx finds Celt fury. Willing to die.
death for briton death for life death for rage
Slaughter- Retreats- Viscera- Fear cry.
O, Warrior Queen, drink the loss of Celt.
Poisonous hatred crashes through the veins
In your slowing heart: every crime felt.
Fall, Boadicea. Your fight is done, lost.
Roman and Celt in arms. Honor the cost.
Life... is like a grapefruit. Well, it's sort of orangey-yellow and dimpled on the outside, wet and squidgy in the middle. It's got pips inside, too. Oh, and some people have half a one for breakfast. -Douglas Adams