Hello, "Mystic,"
I submitted to this e-zine less than an hour ago, and just got an acceptance, but a few things have made me wary of their editorial discrepancies, and I'm wondering if they're considered legit,
Not sure what "discrepancies" you mean, Mystic. Basically I did what you asked.
or if I should withdraw it and wait to see if my poem gets accepted somewhere else?
That's up to you. As I said in our correspondence, we'll do what you want.
In the letter sent to me, they say, "I note that (poem) is a simultaneous submission. That's okay with us. Other publications may insist on first or exclusive electronic rights; Bewildering Stories does not. We mind our own business and pay no attention to what other publications do. If anybody else makes restrictions, that's between you and them. Meanwhile, we'll proceed normally unless told otherwise."
That's accurate...
What's weird to me is that most lit mags, even e-zines, want first rights, which would of course mean I can only give it to one mag, and if this particular market isn't very selective, it makes me wary about giving it to them. Can anyone give me some advice here?
Readers will have their own opinions, of course, but
Bewildering Stories is one of the largest literary webzines on the Net. And you can judge for yourself by our eight-year track record; it's all on line all the time.
Any weekly publication will be uneven, but
Bewildering Stories is no more so than, for example,
Analog or
Asimov's magazines. I'm sure some people would prefer that we be more selective in our regular issues; that's why our Review Board has the Quarterly Reviews. Inclusion in our QR's is the result of a fair and rigorous process and is an important distinction. Our home page prominently features a link to our Editors' Choices.
As for poetry, I'd say we're in a second Golden Age at
Bewildering Stories. Such powerhouses as Rebecca Lu Kiernan and John Stocks — to name only two — are significant modern poets, and we're very glad to have them.
I'm also concerned about, if I do decide to withdraw it, how I should do that, since they want to publish it within a few weeks.
Just say "Please withdraw [title]." You've done that, and I've complied.
For the public record, third parties have no standing with us. That policy is intended to protect our authors: if anyone writes me and says "I didn't like that [poem, story, whatever]; remove it," I doubt I'd even bother to reply.
We take authors at their word that they retain full rights to anything published elsewhere. If another publisher writes me and says that something of ours violates a contract with the author, then there is a problem: but it's not ours; it's between the other publisher and the author.
Bewildering Stories insists that each author retain all rights, and the copyright line on each page says as much.
That's especially helpful with reprints such as novels, e.g. Ray Cummings'
The Girl in the Golden Atom. On the other hand, Cyrano de Bergerac's
The Other World (a.k.a.
Voyage to the Moon) is strictly speaking not a reprint; our translation is original and is, to my knowledge, the only one on the Net that represents Cyrano's work as it stood at his death in 1655.
We've also serialized the late Richard K. Lyon's
The Long, Dark Road to Wizardry. Parts of it had appeared elsewhere in print many years ago, and it also appears elsewhere on the Net (we found out after the fact). But our presentation is by far superior, if I do say so myself. In any event, Dr. Lyon assured me that he retained full rights to the story when he sent it to us.
All that is more than you wanted to know, I'm sure, but you've given me the chance to explain to the public what amounts to our open-door policy.
Don Webb, managing editor
Bewildering Stories
http://www.bewilderingstories.com