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Tribe Literary Agency / Wheelhouse Literary Group

AryaT92

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She was with The Nashville Agency before I believe. When I queried them she is the one who made all contact with me on their behalf.
 

victoriastrauss

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So Nashville has broken into three. And possibly Foulks was an assistant or intern at Nashville prior to the split?

But I still don't understand the relationship between Wheelhouse and Tribe. If Foulks and Clement are working together (as certainly seems to be indicated by the fact that both their names are reportedly on Tribe's contract), why the need for two agencies? Is there a difference of focus? Does Wheelhouse provide more/different services? Is Wheelhouse an agency at all? Is Tribe a division of Wheelhouse? It's all really unclear.

It seems to me that this is the sort of thing that should be fully transparent before an agency starts recruiting clients.

- Victoria
 

SeanTPoindexter

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I'm glad we agree. What is Ms. Foulk's experience in publishing?

We do not agree. You claimed that agents only become so via internship with an established agency. I pointed out that this wasn't the case. You now pretend you agreed with this statement all along.

Do not twist my words. That is the unscrupulous tactic. I was apparently naive to expect better of you.

You contradicted yourself. Earlier in this thread, you concede that Cari Foulk was a freelance agent. Now, you pretend to be unaware of this fact.

If you are curious about Miss Foulk and Tribe Lit, you may do as any other writer and query the agency. If the agency is impressed with your work and finds you marketable, they will contact you and you can discuss her credentials and professional contacts at that time. If you do not find them sufficient, go elsewhere. It is your prerogative. I am surprised that I have to explain how the writer/agent partnering process works. I believed you to be an expert on the subject.

Again, I was naive. It will not happen again.

Allow me to ask, rhetorically, if you have any specific complaints by writers or publishing professionals regarding Cari Foulk or Tribe Lit. You don't, or you would have posted them by now.

As to Miss Victoria's comment: the relationship between Tribe Lit and Wheelhouse Group was as clear as a bell on the day I signed my contract. It was also clear to my attorney, who graciously agreed to look over the contract on a Saturday.

The Wheelhouse Group is a Group of agencies. Once again, the use of the world Group in the agency name makes this clear. Tribe is PART of that group. What, exactly, are you not getting?

I can't promise I'll respond to any further comments right away...I'm busy writing books.
 

waylander

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Allow me to ask, rhetorically, if you have any specific complaints by writers or publishing professionals regarding Cari Foulk or Tribe Lit. You don't, or you would have posted them by now.


No-one has suggested that there are complaints against Cari Foulkes or Tribe Lit. What has been suggested is that they are not able to do what is the primary objective of a literary agency - namely sell books. The suggestion grows stronger with each post.
 

Momento Mori

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SeanTPoindexter:
Cari was optimistic, but realistic about my chances of publication. She has high hopes for my work, but has given me a pragmatic estimation of the time involved in finding a publisher. In other words, no "pie-in-the-sky" promises often made by crooked agents.

Are you still at the stage where you are working on your manuscript with Cari, or is your manuscript out on submission? If it's out on submission or you've discussed likely markets for it with Cari, are you able to share where it has/is likely to be submitted to?

SeanTPoindexter:
As of my contract date, they had been in business for a month as per Cari's direct words to me. Cari Foulk was an independent editor, but is now a literary agent. She brings her contacts in the publishing world from her work as an editor,

Do you know with which publishing companies Cari has contacts? If so, are you able to share them?

SeanTPoindexter:
That some of Cari's clients have previously self-published their work is only "troubling" if one assumes that a writer would only self-publish because they wrote a terrible book, OR if the literary agency in question pushed the client towards self-publication with company to which they may be connected or receiving a kick-back.

The reason why people here consider agents with a lot of self-published authors to be a potential red flag is because a lot of the 'new' agents who pop up are themselves self-published authors who see publishing as 'broken' and decide they can do better. Usually they recruit clients from the avenues they know, i.e. those who have been self-published because those authors are either unlikely to know how the publishing industry works or are likely to be receptive to what the agent has to say.

It is not a reflection of the quality of the work produced by the author.

SeanTPoindexter:
Most crooked agents expose themselves as such right away by asking for money, trying to get you to pay for editing services, or urging you into self-publishing.

Absolutely - and no one has accused Cari of doing that here.

The reason concerns were raised is because there's another brand of agent 'the well meaning but clueless amateur' who has no intention of scamming an author but lacks the knowledge to sell a manuscript.

SeanTPoindexter:
If the agency is impressed with your work and finds you marketable, they will contact you and you can discuss her credentials and professional contacts at that time. If you do not find them sufficient, go elsewhere. It is your prerogative. I am surprised that I have to explain how the writer/agent partnering process works. I believed you to be an expert on the subject.

This is a discussion forum for people to ask questions about agencies, including whether anyone has any direct experience of them BEFORE submitting a query so that they can get an idea as to whether the submission is whether their time and trouble.

Obviously people are free to go make their own contact if they wish and many people do come here, like you have, to share their experiences - both good and bad.

SeanTPoindexter:
the relationship between Tribe Lit and Wheelhouse Group was as clear as a bell on the day I signed my contract. It was also clear to my attorney, who graciously agreed to look over the contract on a Saturday.

Is your attorney a publishing law specialist? Before I signed my representation agreement, I got a friend of mine who specialises in publishing law to take a quick look at it for me even though I have been a practicing lawyer for almost 10 years and specialise in commercial contracts.

SeanTPoindexter:
I can't promise I'll respond to any further comments right away...I'm busy writing books.

Good for you. I hope the agency sells them for you.

MM
 

waylander

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Becuase no-one has come forward to say either 1. Tribe/Cari sold xxxx book to publisher yyyy for advance zzzzz
or 2. Cari worked at qqqq agency/yyyy publisher developing the skills and contacts required for being a succesful agent.

In the absence of such evidence I conclude that Cari/Tribe are not likely to prosper as literary agents
 

AryaT92

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Cari worked at The Nashville Agency alongside Jonathan Clements who is a partner / involved in the process I imagine. He has sales and connections that I'm sure are at her disposal.
 

Saskatoonistan

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If you are curious about Miss Foulk and Tribe Lit, you may do as any other writer and query the agency. If the agency is impressed with your work and finds you marketable, they will contact you and you can discuss her credentials and professional contacts at that time.


:roll:PFFFFFT!!! Bwa hahaha hahah! Sorry... coffee just shot through my nostrils at that one. So rather than ADVERTISE the agent's/agency credentials to actually #$%ing attract writers, ya gotta #@&ing QUERY to find out?

Oh... dude, it is SOOOOO time for The Gorn...

TheWomanbehindtheGorn2.jpg
 

SeanTPoindexter

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Are you still at the stage where you are working on your manuscript with Cari, or is your manuscript out on submission? If it's out on submission or you've discussed likely markets for it with Cari, are you able to share where it has/is likely to be submitted to?



Do you know with which publishing companies Cari has contacts? If so, are you able to share them?
I have written five books in a series in the last 13 months. You are well aware that I cannot discuss which specific markets my book has been sent to. Or, you should be well aware of that. When and if my agent sells my books, I will happily announce this on my official website and the people who run my fan page will likely announce it as well.
The reason concerns were raised is because there's another brand of agent 'the well meaning but clueless amateur' who has no intention of scamming an author but lacks the knowledge to sell a manuscript.
I understand. However, Mr. Clements' credentials are not in question at this time. Why would he go into business with a "clueless amateur"? It strains credulity, and calls into question the legitimacy of that claim.
Is your attorney a publishing law specialist? Before I signed my representation agreement, I got a friend of mine who specialises in publishing law to take a quick look at it for me even though I have been a practicing lawyer for almost 10 years and specialise in commercial contracts.
As a matter of fact, yes he is. And he didn't take a "quick look" at my contract. He gave it a professional review and said it was above board and met with industry standards.


Good for you. I hope the agency sells them for you.

MM

Thank you.
 

waylander

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Mr Clements and the Nashville Agency has indeed sold some books, most of them appear to be into the Christian market. Has he contacts beyond this specialist area?
 

SeanTPoindexter

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:roll:PFFFFFT!!! Bwa hahaha hahah! Sorry... coffee just shot through my nostrils at that one. So rather than ADVERTISE the agent's/agency credentials to actually #$%ing attract writers, ya gotta #@&ing QUERY to find out?

Non Sequiter. I was offering a personal suggestion for writers interested in the agency, not stating Tribe Lit's policy. Tribe Lit has only been in business for a short time, and has not completed their website. And Clements has brought his clients with him from his prior agency.

I think you know better, and are intentionally misrepresenting my statements in order to get in your joke. Cute, but transparent...at least to me. I only hope most of the people reading this thread can see through it as well.
 

eqb

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Cari worked at The Nashville Agency alongside Jonathan Clements who is a partner / involved in the process I imagine. He has sales and connections that I'm sure are at her disposal.

Guesses are nice but what we're looking for are specifics. In other words, solid answers to the questions waylander posted: names of publishers she worked for, titles of books sold, etc.
 

regdog

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:roll:PFFFFFT!!! Bwa hahaha hahah! Sorry... coffee just shot through my nostrils at that one. So rather than ADVERTISE the agent's/agency credentials to actually #$%ing attract writers, ya gotta #@&ing QUERY to find out?

Oh... dude, it is SOOOOO time for The Gorn...

TheWomanbehindtheGorn2.jpg

It's the Gorn :banana:
 

Saskatoonistan

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I think you know better, and are intentionally misrepresenting my statements in order to get in your joke. Cute, but transparent...at least to me. I only hope most of the people reading this thread can see through it as well.

Dude, there is nothing to misrepresent here because you're loud and clear to anyone with a pair of eyes. I'm curious, though... you did find out about their background before signing, right? And if you did, why not share with the forum?
 

AryaT92

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When I was considering signing with her she was working closely with Jonathan Clements and seemed to have connections in the publishing industry who she wanted to sub to. I can't give you specifics as I signed with someone else but maybe you should ask her?
 

SeanTPoindexter

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Dude, there is nothing to misrepresent here because you're loud and clear to anyone with a pair of eyes. I'm curious, though... you did find out about their background before signing, right? And if you did, why not share with the forum?
I have already answered this question in my initial post to this forum. You know that, as well. You are attempting to make it seem like I didn't address this question already by pretending you didn't see it. I'm familiar with this tactic: it is common on political message boards.
 

Saskatoonistan

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I have already answered this question in my initial post to this forum. You know that, as well. You are attempting to make it seem like I didn't address this question already by pretending you didn't see it. I'm familiar with this tactic: it is common on political message boards.


As is sock puppetry ;)
 

waylander

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AryaT92

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Non-fiction:
General/Other
Chris Hudson, Tribune Media Services's BIBLE JUMBLE, the first in a program of puzzle and word game books incorporating the Chicago Tribune's scrambled word game brand Jumble with Bible facts, Bible promises, and trivia, to Jon Farrar at Tyndale, for publication in 2009, by Jonathan Clements at The Nashville Agency.
[email protected]
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Fiction:
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Women's/Romance
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Ariel Allison Lawhon, Kristee Mays, and Brian Gall's JUSTIN CASE, the first in a character series pitched as "MacGyver" in an eight-year old body, as Justin tackles the challenges of childhood with creativity and determination, armed only with his imagination and the contents in his pockets, to Jean Christen at Harvest House, for publication in 2009, plus Justin Case You're Mad and Justin Case You're Afraid of the Dark, by Jonathan Clements at The Nashville Agency (world).
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Sports
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Debut
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Non-fiction:
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Comedian Thor Ramsey's A COMEDIAN'S GUIDE TO THEOLOGY, to Alex Field at Regal Books, in a nice deal, by Jonathan Clements at The Nashville Agency (world).
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Founders of www.xxxchurch.com Craig Gross and J.R. Mahon's STARVING JESUS, presenting insights and action points on how and why the modern church is dying, to Andrea Christian at Cook Communications, in a nice deal, by Jonathan Clements at The Nashville Agency (world).
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Marriage and relationship experts Jay Laffoon and Laura Laffoon's THE INTIMACY DANCE, showing intimacy is found in the development of five life "facets" -- beyond simply the sexual element of finding intimacy and celebration in marriage, to Chad Allen at Baker Books, by Jonathan Clements at The Nashville Agency (world).
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Jane Hampton Cook's THE FAITH OF THE REVOLUTION: Devotional Revelations from the Revolutionary War, stories from the Revolutionary War meant to spark spiritual revolutions within readers, to Dan Penwell at AMG, in a nice deal, by Jonathan Clements at The Nashville Agency (World). [email protected]
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Sales.