Read books by AWers!
Whoa. Just asking. Didn't mean to offend. I work in project proposals all the time in comics, film, tv, games, etc. and sign NDAs and various other agreements for copyright and trade secrets. Seemed logical to back yourself up.
Ray Dillon - Artist & Writer
- Ridley Scott's "Prophets of Science Fiction" Isaac Asimov Episode - Science Channel
- "Meteorite Men" - Science Channel
- Anne Rice's "Servant of the Bones" comic - IDW Publishing
- Peter S. Beagle's "The Last Unicorn" NYTimes Best-Selling Graphic Novel - IDW Publishing
YOUR Writing Narrated by ME! --> http://StoryNarration.Blogspot.com
Ray, it is prolly a fair question and proposal, but I am with Med here, if people are genuine, they may be easily insulted.
I offered to beta for some I had never met. They sent it to me and it went on the HD and ignored. More than a month later I started to rea dit. I was in a funk and it helped pull me out.
I gave the guy periodic feedback and in the end told him it was a best seller and to PROTECT his work. My suggestions were to NEVER send out a full copy to anyone, send 2-5 chapters at most and deal with extra people to cover the whole work. It was that good, IMHO.
"Don't you think if somebody wanted to have a book published it'd be easier for them to write their own?"
Trust me, I have met people with NO IMAGINATION whatsoever. I think many of the best editors are frustrated writers with ZERO imagination. They edit since they can't creatively write.
Now I do take you point about "why steal an MS". You make good sense, but that doesn't mean a cheat starting out won't do it if the work is good but you haven't got a query answered yet. I think there some basic rules we should all follow unless we want to risk such POSSIBILITIES.
I have a question, though I have no idea if someone here will know this. I live in Brazil and can very easily get my work copyrighted here (everyone who works in any sort of creative business does it here. You register the work with the National Library, something like that). But here's the catch: I want to publish in the U.S., the final MS is going to be in English, and I want beta readers who speak English. Will the Brazilian registration/copyright count for anything? I figure it will at least be further proof of date and ownership.
does anyone know if the poorman's copywright works via email as well, or no?
"To be or not to be..."
Poor man's copyright is a complete myth. No US court, at any level, has ever recognized so-called poor man's copyright as any proof of anything. (My husband works for a legal database company and has searched case law for me to say this with certainty.) If you go to the Library of Congress website, which the Copyright Office is part of, it says the same thing.
I don't know the law in other countries.
Maryn, not meaning to scold and hoping it doesn't come off looking that way
Most countries are protected under the Berne Convention so your work is copyrighted as soon as you write it. Of course, the Berne Convention is a minimum standard and if your country has additional laws, those apply too (such as moral rights, increased duration ...etc). I wouldn't worry about someone stealing your novel - just keep your edits, save them as different files. Someone might try to write their own book based on your idea, but anyone can do that already. I can write a space saga if I want, I just can't name my characters James T. Kirk and Spock.
All right, I was all set to seek out a beta reader for my entire manuscript but you guys have me scared now! I read this thread from beginning to end. So far, there were only two instances of a beta abusing the trust given them and I'm guessing this happens very rarely, but still, shaking in my recliner as we speak. Still, I need a beta, because I've gone as far as I can on my own and from family members. (Deep breath) Okay, I can do this!
I am paranoid about sending an unknown beta my work (even by chapter) I am a newbie so everyone is unknown at this point. Of course, I have asked my family/friends to read it and only one actually finished. I need writers to critic my work not just my supportive mommy. I appreciate all of your wisdom in this area. The idea about sending my work to two betas at the same time was quite helpful.
My problem was, I guess, opposite. I was a fairly young writer when I put my first short story out there to a few beta readers who I thought I could trust. They all gave me some good (and I thought truthful) advice. I later found out they had been emailing each other and mocking my efforts when one of them 'accidentally' or not sent me an email with all the replies on it. Needless to say they weren't going to be trying to get it published and that site isn't my favorite anymore.
I just joined this site yesterday and I hope to have a better experience this time around. It has been a good decade since that incident, so I hope my writing has since improved.
The Darkest Fae - 500
The Golden One (tentative title) planning stage
Dire shift- (1300 words) dreaming stage
That would be my greatest fear, to be made fun of and it actually happened to you. It is high school all over again. How awful for you and my heart goes out to you. My first short story was only one page, single-spaced! I got a nice letter from True Confessions asking me to try again and tactfully suggest it be a bit longer and double-spaced!
That's what I was thinking: you don't have to keep reading if you're finding it uncomfortably similar to your own work. I think any writer would appreciate a beta stepping aside for that reason. I certainly would.
I also agree that it would make me take that second look at my own writing - too predictable? Just another slight variation on an overworked theme?
And of course, my ego is just big enough to prefer my own writing style, so I can't imagine putting my name on someone else's work - even if I think what I'm reading is fabulous. Part of what keeps me writing is reading good books that take a turn away from the story I want to hear.
But I do have an uncomfortable question to ask ... how do you discover that your work has been stolen? (Other than books that become movies or best-sellers, of course.)
All of this is scary and fascinating.
I have a question: Prior to 911 I wrote a book about dream interpretation.
I sent it to an agent who requested to read the entire manuscript.
The agent sent me a rejection letter yet a year later a more famous author published an eerily similar book to include some of my quotes.
Some of those quotes were only different by a word or two.
I can't afford an attorney. What should I do?
I sent myself a poor man's copyright but if it won't hold up in court, what's the point?
To make dreams real, first you have to have them.
The point is exactly that - poor man's copyright is totally pointless and not even necessary because copyright is automatically a writer's the moment he commits whatever he's working on to paper or disc or other storage media.
If I, or anybody else who knew what they were talking about wrote a book on the interpretation of dreams we would probably come up with similar quotes, too.
Tell me you're not serious about going to court with this.
Everything yields to treatment.
Depending on the publisher, if "a more famous author" put out a book "a year" after your query, that could mean your book was rejected because it sounded eerily similar to a book that the agent had already sold to a publisher.
Just out of curiosity: have you been able to establish that the other author is a client of the agent who rejected your MS? Because if you're alleging infringement here, you're going to need to establish where this other author would have seen your work in the first place.
Hello, Absolutewrite community:
I am an Hispanic writer (I am a former Chemist and I have US patents) of science-fiction genre, and I need a native English speaker for my manuscript because I want this perfect before sending it to the literary agent.
My manuscript already have copyrights and was first made in English, later passed to Spanish, and again I made it into better English, but it is not perfect.
I need that the native English reader can fluently understand my story. I need to correct punctuation, spelling, grammar, check any rule of English, fix anything confusing, etc.
I am willing to talk to that person but I would love to also meet that person in real life.
I don't know if this is the place to post this but if not, please migrate my request to the right forum.
I will appreciate PMs.
Thank you in advance.
Oh no! This dumbo octopus wants to eat my sandwich with the help of the Dragonfish.
in this section asking for a beta reader, or in this section asking to hire an editor, or in this section asking an editor to work without pay.
However, be aware that beta readers may point out a persistent problem if they notice it (e.g., 'you keep punctuating your dialogue incorrectly'), but they are unlikely to go through and line-edit an entire manuscript to correct every single mistake. Few beta readers have the editorial skills to do that, even if they had the time an inclination. Likewise, few editors who do have those skills are going to be willing to work for free. You can hire an editor, but it is likely to cost you a few thousand dollars.
thank you a lot for your councils. I appreciate it.
I will check the three links you posted and I will decide what is the best scenario for me.
About first choice: I read that Beta Readers can work my manuscript for free, but I am really willing to dialogue with one of them maybe both can help each other.
About the third choice: Do really an editor (what type of editor? a publisher editor?) works without paying him/her? or you mean that he/she will not pay me for my work if he/she does the manuscript?
Hey, and you are not Unimportant, you are very important You are helping me and you are a very wise person.
Last edited by Javielito; 10-16-2012 at 07:36 PM.
Oh no! This dumbo octopus wants to eat my sandwich with the help of the Dragonfish.
In general: editors work for pay. An editor might work for free for someone they know and want to do the favour for, but it's uncommon. The chances are almost zero that an editor would work for free for a total stranger.
Honestly, fear of having my work stolen is what has kept me from joining an online writer group before now. Thanks for letting me know I'm not being unreasonable and that other people have thought about this too, but also that there are ways to protect myself and my work.
"Literature is the most noble of professions. In fact, it is about the only one fit for man." ~ Edgar Allan Poe
Read about my adventures in China.
i have been reading through this section so i have a few questions that may or may not have been answered.
1 is it better to save a file as "project title - MM-DD-YYYY" on a daily basis never overwriting the file or overwrite and don't worry.
2 if i send a chapter or 3 to a Beta should i send it as a Locked PDF. and have them not be able to change the form but send feedback via a new doc?
this is honestly a side of the process i have not really spent a lot of time thinking through.
i have seen that a NDA would be an insult. working in research we use them all the time and i would not have had a problem with it. now i have to rethink this idea also.
funny no matter the subject i still find out that the more know the more i need to know about a topic.
2 projects to writeHappiness is like a bird. The damn thing keeps flying away. Next time I find it I will shoot it and have it stuffed.
3 projects to edit
7 days a week that i work
Needs a real day off
Blogging at The Doubting Writer
"An Unexpected Reunion" in Winter's Regret, from Elephant's Bookshelf Press.