The problem I see is that people look at magic as something supernatural -- it's not.
Exactly so, and thank you Patty!
: = )
I touch on the subject in my unpublished MS,
The Atheist Who Loved God. Even non-believers can be confused in the matter; the skein can be difficult to unwind.
Magic consists of two parts:
A. Some manipulation of the material world.
B. A misdirection of percipient (audience) attention.
Anyone who reads about or practices stage magic understands the statement. When a coin disappears it goes somewhere: behind the fingers, into a pocket, up a sleeve via an elastic pull. For misdirection, the magician waves her now-empty hand: "You see?" the gesture says. "It's gone!"
Every intelligent person knows this. For the sake of amusement, however, disbelief is temporarily suspended: it's fun to be fooled.
Magic in the non-theatrical world is less well-understood, but the same principles apply. a) Something material happens. b) Attention is directed elsewhere, to a non-material cause.
If you are uncertain about the material nature of stage magic, secure a copy of John Northern Hilliard's
Greater Magic (1938, 1994), considered the "bible" of magic by those who actually perform.
If you are interested in how magic works beyond the stage, your best single resource will be
The Idea of the Holy by Rudolph Otto. (First published 1917 as
Das Heilige.) A Lutheran theologian, Otto shows how religion arose from human awe at natural phenomena like lightning, thunder, and volcanic eruptions. Then, a subsequent misdirection
away from material cause.
("Hear that thunder? Thor is banging his mighty hammer on the anvil!")
It seems to me the successful fantasy writer will know this material inside-out. See, for example, L. Frank Baum.
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