I've almost finished BLOOD RED ROAD by Moira Young and I'm honestly not getting what all the fuss is about.
Partly it's to do with the fact that the first person voice, while strong, is selective in its use of phonetic spelling, which means I'm constantly wondering how come the narrator knows how to spell words like "malevolant" when "exactly" alludes her. Mainly though it's the fact that there isn't an awful happening given the length of the book (which comes in at a massive 520 pages) and where the plot does move, it relies on contrivance (e.g. a person being locked up in the cell next to Saba who just happens to know another character so she can give some background) or it stretches plausibility (e.g. would a girl who's lived in seclusion for most of her life and spent at least a year without a huge amount of food really become the deadliest cage fighter around just because she's angry and desperate?).
There's also too much of a sense of being able to guess what happens next and watching the MC do naive things and engage in petty bickering with her sister and other characters.
There are some good things about it - it's a fast read and I like the fact that the MC isn't naturally likable, but there are better YA dystopians out there at the moment (for me, anyway).
Not sure what I'm going to read next - might look at DIARY OF A WIMPY VAMPIRE by Tim Collins, which is a humorous send up of Twilight and Diary of a Wimpy Kid.
MM