What if a seemingly legit agent is constantly stalling?

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blackbird

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I am currently working with an agent that I have no doubt is legit. I know she has placed several sales in the last few months to major publishers. I signed a contract with this agency in July (they are a contract agency, though, as far as I can tell, require no fees. At least in my case, no upfront money has been asked for. They do charge for things like excess photocopying, etc., but these expenses are allowed to accrue and then taken from my percentage after a sale). I'm just having some concerns because she keeps putting me off about when the manuscript is going out to publishers. Now, you have to understand the whole situation. This is a really big novel--1300 pages--and she and I have spent most of the summer trying to come to an agreement about how best to market it. But, having finally come to that agreement in late August (she said she is going to send out about 100,000 words of the manuscript as a partial, in hopes of hooking the interest of editors who may be intrigued enough to want to see more), she still has not sent the manuscript out. Initially, she said she would have it ready to go out by late September; then it was the second week of October. Needless to say, that timeframe came and went, with no word from her until I sent an email inquiing as to my project's status. Then she emailed back saying she needed various things, including a chapter outline and some chapters that she did not have electronic versions of. I was happy to comply with the requests because I thought, well, at least she's working on it. But she evaded my question as to exactly which segments of the manuscript she intended on sending out, and when I asked to see the submission list of potential publishers, what I got looked suspiciously to me like a generic list of all the publishers of literary fiction in New York, not a list specifically tailor-made to my particular project.
She had said several times that this was going to be the "superstar book" of her fall submissions, yet here it is nearing winter and I can pretty well bet that nothing has gone out yet. The last time I sent an email, I got an automated response stating she would be out of the office until December. The message said she was not taking on any new clients, and that all current clients would be notified of their projects' status in December.

Okay, my question is, given that this is a legitimate agency with a verifiable track record, and that this agent does seem to really believe in me and this book (we've talked on the phone several times, and she's always willing to talk to no end about this book), and that it IS, after all, a 1300 page mammoth, should I be unduly concerned about the constant stalls and delays? Am I just being impatient? Is this sort of thing customary with reputable agents? I know that if she is any kind of agent at all, she's probably up to her neck in work and has many more clients besides me. And her reasoning is always that she wants to take the time to make the most strategic decisions with this manuscript. But I still have to wonder. After all, she's had the manuscript since March, and certainly since July it has been ready to go out, especially if she's only sending a partial.

Any thoughts on this?

I posted a similar message in another thread, but got no response. I realized that particular thread was over a year old, so figured I would try with a new thread. If this is repetitive for anyone who saw the earlier message, my apologies.
 

britwrit

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My read? It sounds like she's good at her job but is overworked and disorganized. She likes your work but editing a 1300 page mammoth down is a massive task and she keeps putting it off. And selling a first literary novel that clocks in around what, 300,000 words?, is never going to be an easy task.

Lightshadow is right. Time to have a heart to heart.
 

maestrowork

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I wonder why she would take on a 1300-page mammoth if she didn't feel confident that she could sell it.
 

Jamesaritchie

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Agent

This agent bothers me big time. I can't imagine a legitimate agent taking on a 1,300 page novel from a new writer. Even counted the Courier way, that's 375,000 words. Nothing about this seems right.

Just who is this agent?
 

Kiva Wolfe

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Blackbird, have you contacted any of this agent's former or current clients to see what their experiences were like? Also, check the terms of your contract to see what the Agent's obligations are to you. I would think that a decent agent would provide a timely and detailed submission history with dates, names of publishers and editors in receipt of your material, and copies of any written responses.
 

blackbird

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Kiva Wolfe said:
Blackbird, have you contacted any of this agent's former or current clients to see what their experiences were like? Also, check the terms of your contract to see what the Agent's obligations are to you. I would think that a decent agent would provide a timely and detailed submission history with dates, names of publishers and editors in receipt of your material, and copies of any written responses.

I think that some of her clients are regulars on this forum, including one (Liam Jackson) with a sold novel. I also know this agency has represented Jerry Ellis, who has had good things to say about them. I guess my real concern was just with the amount of time that I've simply waited for something to be sent out, but I'm also trying to be undertsnading in realizing this is a very big project.
 

blackbird

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Jamesaritchie said:
This agent bothers me big time. I can't imagine a legitimate agent taking on a 1,300 page novel from a new writer. Even counted the Courier way, that's 375,000 words. Nothing about this seems right.

Just who is this agent?

Her name is Kelly Skillen and she is with PMA. She has sold several books to legit publishers, including Liam Jackson. I think she agreed to take on my book because she liked it (at least I would hope so). Length shouldn't be the only concern when an agent makes a decision to represent. There are other factors, such as the quality of the writing, the saleability of the story, etc. Length isn't the end-all and be-all; long novels can always be cut or revised as two or more separate novels.
 
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